A Quote by Daniel Bryan
Miz and I have known each other for a long time, and we really know, like, how to get at each other's nerves.
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What was really wonderful about the 'Doubtfire' shoot is that we had this really long rehearsal period in the beginning. That was a great time to get to know each other. We got to know each other and to create the family vibe. So we really didn't have to force it.
Love cannot be measured over time and space. It is not how long you know each other, it is how well you know each other.
Can it really be love if we don't talk that much, don't see each other? Isn't love something that happens between people who spend time together and know each other's faults and take care of each other?...In the end, I decide that the mark we've left on each other is the color and shape of love.
Chiru and I always knew we'd end up being with each other. Our families have known each other for a long time.
I get along really well with [my father] now, but I had a terrible time with him in my teenage years. All we did was scream at each other, and when we weren't screaming at each other, we just wouldn't talk to each other.
In many ways, a song-writing partnership is like a marriage. Apart from just liking each other, a lyricist and a composer should be able to spend long periods of time together - around the clock if need be - without getting on each other's nerves. Their goals, outlooks, and basic philosophies should be similar.
Those teams that really trust each other, really communicate with each other, really hold each other accountable and do it in a good way, in a respectful way, and just genuinely enjoy and like each other, I think that can be something that helps you separate when talent is equal.
If anybody knows how to be friends, it's black women. We have been enslaved and had to care for each other and each other's babies and pick each other up in so many powerful ways. We know to take care of each other, we know how to be friends.
Most married couples, even though they love each other very much in theory, tend to view each other in practice as large teeming flaw colonies, the result of being that they get on each other's nerves and regularly erupt into vicious emotional shouting matches over such issues as toaster settings.
The coaches hate each other, the players hate each other... There's no calling each other after the game and inviting each other out to dinner. But the feeling's mutual: They don't like us, and we don't like them. There's no need to hide it, they know it, and we know it. It's going to be one of those black and blue games.
'The Notebook' gets me every time. It's a great love story. Boy from the wrong side of the tracks. They get on each other's nerves, but they can't live without each other. It almost makes me shed a tear.
It's always a problem when you're working with people you don't really know. Most filmmaking is about shaking hands and just starting. You know, these month - or two-month-long endeavors that millions of dollars are based on, and the people doing them don't even know each other, or know each other under pressure, or know each other when things are really... Which filmmaking is completely done under in many circumstances. You're under constant crisis, making a movie.
A lot of bands don't really like each other. I read an Interpol interview the other day, it was a really good interview because it was showing a different aspect of a band. They don't really like each other - they work together and they kinda exist together and that's how they like it. They're like, "we didn't get into this band looking for friends."
The idea that women compete or don't like each other or undermine each other or sabotage each other, that's a big miss. That is not true at all. At all. My women connect with each other instantly and help each other.
Like MCs, each chess player has his own style: how he likes to open, when he likes to attack. Just like we face off with each other lyrically, we challenge each other's minds on the chessboard. Sharpen each other's swords.
Treasure each other in the recognition that we do not know how long we shall have each other.
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