A Quote by Daniel Negreanu
Limping in - entering a pot by calling rather than raising - is more complicated than raise-or-fold poker because you'll end up playing more hands. Also, it's difficult to put players on a hand when they're in the pot without making a pre-flop raise.
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In cash games, you're apt to see more players staying in to see the flop. If you have a hand worth playing, your best options are to either limp in or make a slightly larger pre-flop raise to build the pot and narrow the competition. A raise of four times the big blind should do the trick.
In tournaments, players typically raise when they enter the pot. In cash games, though, players are more likely to limp in before the flop. That's because cash games are usually deeper-stacked, meaning that players will have a higher ratio of chips in relation to the blinds than they would in a tournament.
I normally raise pre-flop with K-K or A-A but occasionally I'll limp in, especially if it appears that the others at the table are playing tight. I don't want anyone to fold too soon when I've got such a big hand.
Raise your hand if you’ve spent nights crying yourself to sleep, raise your hand if you’ve felt as if you’d rather hide in bed all day than face the people that make you feel small or powerless! Raise your hand if you’ve felt as if you’d rather lie to people than tell them the truth about who you really are, because at least you wouldn’t be the victim of hateful behavior or prejudice! And raise your hand if lying feels almost as bad.
Many players in the big blind get in trouble by calling pre-flop raises; they try to do too much. They don't want to get bullied, so they attempt a tricky check-raise bluff or overplay their hands in an ill-advised effort to push back.
Common wisdom in Texas Hold'em suggests that you should raise before the flop if you're planning to play a hand. The saying goes, 'Raise or fold,' but is that correct? Well, it's not the worst advice, but limiting yourself to one of these two options would be a mistake.
If you raise an intelligent girl she will become a feminist because of the facts of her own life. Raising feminist boys is more difficult. Raising egalitarian boys. One of the reasons you have to raise them that way is because it's better for them.
The state is now more involved than it ever has been in the raising of children. And children are now more neglected, more abused and more mistreated than they have been in our time. This is not a coincidence. This is not a coincidence. And with all due respect, I am here to tell you it does not take a village to raise a child. It takes a family to raise a child.
Work is style, and there is style without thought; not in theory, only in fact. When I take a sentence in my hand, raise it to the light, rub my hand across it, disjoin it, put it back together again with a comma added, raising the pitch in the front part; when I rub the grain of it, comb the fur of it, re-assemble the bones of it, I am making something that carries with it the sound of a voice, the firmness of a hand. Maybe little more.
The danger of paired flops is directly related to how high the pair is: there's less risk in a flop like 2-2-7 than Q-Q-8. Why? Because most players will fold a hand that contains a deuce but will play hands that contain a queen like A-Q, K-Q, Q-J, or Q-10.
The flop bet is a useful tactic for both old-school and new-school players because it can be effective if you are strong, weak, or somewhere in between. Betting out weak on a bluff can allow you to pick up an uncontested pot while betting out strong gives you the opportunity to control the size of the pot.
Very few players want to go home wondering if they've folded the best hand. They feel humiliated when they're bluffed out of a pot. As a result, these players make calls with marginal hands that put their entire tournament at risk.
Pot is an insidious drug because it can steal your life away from you, without you even being aware of it. I had a love affair with pot for ten years. Pot was my most devoted partner.
Fortunately, most of my friends in comedy that smoke pot are almost as open about it as I am, and in some cases more so. But most that appear, it's more about friendship with me than making some statement about pot. I'm sure those of my friends who are onscreen smoking might have a little regret, but there's not too much of it.
What you see on a lot of televised poker is highlight-reel poker. That's why I used to like 'Poker After Dark' so much. It used to catch us playing almost every single hand... It is more of a grind than people think.
Take the case of the infinite ocean. There is no limit to its water. Suppose a pot is immersed in it: there is water both inside and outside the pot. The jnani sees that both inside and outside there is nothing but Paramatman. Then what is this pot? It is 'I-consciousness'. Because of the pot the water appears to be divided into two parts; because of the pot you seem to perceive an inside and an outside. One feels that way as long as this pot of 'I' exists. When the 'I' disappears, what is remains. That cannot be described in words.
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