A Quote by Dannii Minogue
It was like a classic thing with Emma. So I walked in and I slammed the door and everything fell off the wall on the set. It was my second or third scene and I was so embarrassed and scared and so nervous about what everyone would say, but everyone just packed up laughing.
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The funniest thing happened in one of my first scenes. In the beginning Emma was really arrogant and punk and in every scene she would slam the door when she walked in or out.
I stopped for a second. If you remember everything, I wanted to say, and if you are really like me, then before you leave tomorrow, or when you’re just ready to shut the door of the taxi and have already said goodbye to everyone else and there’s not a thing left to say in this life, then, just this once, turn to me, even in jest, or as an afterthought, which would have meant everything to me when we were together, and, as you did back then, look me in the face, hold my gaze, and call me by your name
All directors on all sets behave slightly differently depending on what the scene is. For example, if you are doing a love scene, which is intimate then the director is likely to be intimate. If you are doing a scene where everyone is mucking around and laughing then the director is likely to start with that. If you are playing a scene which us incredibly heavy and everyone getting killed then there are probably not many laughs on the set.
If I was the Bachelorette again, the second I walked into the house after meeting everyone I would say, 'Who did you vote for and why? Let's talk about it.'
Being comfortable with everyone on set really helps to do these intense scenes when you are not worried about everyone looking at you and what they think. You can just kind of let go and let the scene happen.
Being on a comedy tour is like traveling with family, everyone is all having a great time... then all of a sudden it turns sour. One thing gets said out of turn, and everyone is on everyone's last nerve. After an hour of silence, we all start laughing about it.
I'll do anything to keep everyone laughing. Things get too intense on film sets. I remember on The Elephant Man, I used to imitate a cat without moving my lips. David Lynch would say, "Cut! Sorry, we've got a noise somewhere on set." Everyone would be looking around for this cat.
I just rode cross-country and the thing I noticed is just how afraid everyone is, and how nervous and scared and angry people are. From my point of view, I don't think it's all necessarily justified, but I think that's easy for me to say.
Remember I came to Albuquerque to do a hair and makeup test and wardrobe fitting; you guys were already shooting. It's tough when the movie's already started and you kind of show up. You're the new kid on the block. I walked onto the set and Tommy [Lee Jones] was about to do the scene. I just kind of walked up to him. I was shaking, but I just gave him this big hug and he just had nothing to say. He was like, 'Gotta go to work now.' I had a great time working with him."
Some directors don't say much. Michael Mann, for example. I remember on 'The Insider' he never had much to say. He would do a scene, just kind of nod, and then set it up to do it again. And you might do a scene 10 or 12 times or more, the same little 31-second bit. And you could tell he wasn't satisfied, but he wouldn't say much.
Everyone will clearly be a bit nervous and scared before going onstage. But what I do is just remember that this is my passion. Once I get on the stage and see everyone smiling and looking at me, the joy that it brings to me makes me forget all about my nerves.
As I was getting interviewed by the Wall Street Journal, or some big pub guy, all I remember was that he went off to the bathroom for a second, and they brought out my omelet. The next thing I remember, I woke up, and I was on the side of my own omelet, and there was no one at Buck's. Everyone was gone. They just let me sleep.
A nightmare would be when somebody is trying to be funnier than everyone else. And you've got a group scene or two-person scene, and one person decides, 'I'm the funny in this,' and bulldozes everyone else, and they make sure they're the reason everyone loves the scene.
I could keep McQuiston, but growing up it was a hard-work surname. Everyone would always ask me to spell it or just get it wrong. I could call myself Emma Weymouth, or maybe I should take the family name and become Emma Thynn.
Whenever I get days off, I go home, or friends and family come up. I'm in contact with them every day, so it's like we live next door, but obviously we live in two different countries. Football is my job, and everyone around me has given me the opportunity to purely concentrate on football, and everyone else worries about everything else.
I don't get the jitters and I don't get nervous, because I build that comfort on set for myself. Sometimes if I'm gonna do something really crazy, it helps me to yell or look like an idiot on set, so that when I'm about to do a scene, I've already embarrassed myself. I find ways to work around getting the jitters.
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