A Quote by Danny DeVito

What Tim does is, he calls me and sends me the script. And then he sends me a drawing, an illustration of his image of me as the character. It's so great. — © Danny DeVito
What Tim does is, he calls me and sends me the script. And then he sends me a drawing, an illustration of his image of me as the character. It's so great.
But Tammy Faye calls me, and Ron Jeremy calls me, Erik Estrada sends me a Christmas card every year.
Once in a while, God sends a good white person my way, even to this day. I think it's God's way of keeping me from becoming too mean. And when he sends a nice one to me, then I have to eat crow. And honey, crow is a tough old bird to eat, let me tell you.
I think every script I read has something that sends me into a state of panic but that usually makes me want to do it.
Tim sends me a fairly ambitious workup in notebook form noting the passages we're going to cover and the chronology of the biblical events, and his commentaries on those things he's read and written.
The English will agree with me that there are plenty of good things for the table in America; but the old proverb says: 'God sends meat and the devil sends cooks.'
The blues he sends to meet me, won't defeat me. It won't be long til happiness steps up to greet me.
I like to hold a book. When someone sends me a script, I ask for a hard copy or print one out.
When God means you to be a healer he sends you patients; when he makes you a teacher he sends you pupils; when he destines you to be a Master he sends you stories.
When you think about email or IMing, why aren't you writing back? I can see your avatar, I know you're online, why aren't you writing me back? But with Twitter, everybody sends their responses to Twitter, and Twitter then sends them out to everyone. So there's not this constant connection. You can be hyperconnected, then you can take a break for a couple days and it's fine.
For me, writing a novel goes on for years, and the solitude goes on, too. It tends to swallow me at times. I know it's a problem when my husband sends the dog in to retrieve me.
Could you just call me Pigeon?” he asked the teacher when she read his name. “Does your mother call you Pigeon?” “No.” “Then to me you are Paul.” ... “Nathan Sutter,” the teacher read. “My mother never calls me Nathan.” “Is it Nate?” “She calls me Honeylips.
What gets yme excited about a project and character is the director, the script, who's involved in the movie, and the character. Those are pretty much the essentials. If it's something different, if it scares me, in a way, if it will stretch me or push me into certain places that I haven't been to, then I like that. If you're just trying to talk yourself into it, then it's probably not for you. It's hard to be selective.
What I also love about Lorrie Moore stories is they take me a long time to read. They're not easy for me because each sentence, I feel like, is so rich and dense, it just sends me off in a thousand directions.
Being on tour sends me crazy, I drink too much and out comes the John Mcenroe in me.
And it sends an important message to me, because I am sick to death to hear my opponent saying Republicans don't trust me. They do trust me, in landslide proportions, and they're proving it tonight. We're going to bury that for good.
Everyone seems possessed with the desire of writing articles upon me and sends me long lists of all I am to say.
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