A Quote by Daphne Zuniga

I've been on shows that go for shock value. — © Daphne Zuniga
I've been on shows that go for shock value.
I've been on shows that go for shock value
That's what you strive for - you strive to take your move to the next level. It's about shock value, always shock value, but keeping it flavor and stylized and making it yours.
I've always been really dark, and drawn to darker humor. Nothing has been forced, and I don't say anything for shock value.
I don't go to a lot of shows. If you go to too many shows, then it doesn't become a special thing. Whenever I've been to a concert, it has been such a cool experience.
Some shows just go away - and that's fine. They serve their purpose and their entertainment value, but there are shows that touch people in different ways and that they remember.
I use the [vulgar] words because apparently these words do not corrupt morally. I'm from the street in New York, hung around in a tough neighborhood. It was common to curse, you make your point. It's a very effective language. I try not to overdo it. It's never to shock. I know where it fits, it's never to shock. There's no shock value left in words.
I don't like the phrase shock value. Surprise is essential in comedy, and if people are shocked by what I consider merely surprising, then that's their shock. But there is no joke without surprise.
The value of a decision as a precedent is very much enhanced by the care with which it has been considered, and if the opinion itself shows that other decisions of the same court, or of other courts upon the same point, have been reviewed and examined, it adds to the value of the decision made on each consideration.
I don't try to be completely calculating in everything I say and do, but there's no way I'm going to talk. There's no reason to. And that's why I'm such a boring interview, because I don't go for the shock value, or smartass answers.
It might shock you, but I haven't been to that many fashion shows, and I'd never done a commissioned piece for a fashion house.
When I'm naked, I really like to do push-ups. No. I think I really tackle it like everything else. If you're going to commit yourself to playing something, you have to be able to understand it. If you can understand it, then you can do it and go balls out with it. But, I've never been in a position where I've been like, "This doesn't feel right." I wouldn't do it, if it was that. I like the shock value of it. I think that, if you use it correctly, it's pretty effective, as long as I'm lit really, really, really well.
To love something as an artist ... means to be shaken not by its ultimate value or lack of value, but by a side of it that suddenly opens up. Where art has value it shows things that few have seen. It's conquering, not pacifying.
Must have been quite the culture shock, going there.” “Yes it was.” Idris doesn’t say that the real culture shock has been in coming back.
Some people think that my shows are just for shock value, but the provocation makes those classic pieces look different every six months. You don't need to see the same gray suit every season. But surrounding it with 40 really interesting ideas makes it feel new.
Sometimes the newly Marked go into shock. The good news is, if this happens to you, you are unlikely to notice, because you will be in shock.
You don't do things for shock value anymore, because that's not even the language of today. At least, that's not what interests me. If I do it, it's because I want to see things in another way, not necessarily because I want to shock anybody.
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