A Quote by Darcey Bussell
Dancers are working their bodies just like a marathon runner would, and you have to eat to make it through a three-hour performance. Dancers put their bodies through incredible strain.
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I would love for dancers to be treated better and for dancers to have support, for dancers to have managers, agents. This is the only art form that does not have a proper support system.
The Royal Ballet is the best paid company, but the dancers get nothing. The stage crew get paid three times more than the dancers, and they have a job for life - dancers only have 10 years.
In vocal choreography you had to give a lot of consideration to the fact that you were working with singers and not dancers. But you had to make singers look like they were dancers, and to make the movements as natural as possible, and there to be an association with the movement, uh, somewhat to what the lyric was saying.
I love the physicality of instruments, and instruments as objects, like dancers are bodies.
Why should it be thought incredible that the same soul should inhabit in succession an indefinite number of moral bodies? Even during this one life our bodies are perpetually changing, through a process of decay and restoration; which is so gradual that it escapes our notice. Every human being thus dwells successively in many bodies, even during one short life.
society has no qualms about a masseuse who is paid for touching people, or about laborers, or professional athletes or dancers, all of whom make a living with their bodies. Why should we make an exception for sex?
As I currently explore things like augmented and virtual reality, I constantly bring us back to actual bodies in space, real dancers that have physical manifestations not just phantoms that exist in digital space.
All dancers are, by and large, a photographer's dream. They communicate with their bodies and they are trained to be completely responsive to a collaborative situation.
Like the bodies of dancers or athletes, the minds of readers are genuinely happy and self-possessed only when cavorting around, doing their stretches and leaps and jumps to the tune of words.
It's going to take a while before we see a real shift in the students and the dancers that are going into professional companies because it takes so many years of training, but I do think that there's a new crop of dancers, of minority dancers that are entering into the ballet world.
You can't be pregnant in leotards, and this is the last chance for us to get our bodies into the shape of concert dancers and capture it with the magic of film.
I don't ever use dancers, and when I do, it's literally, like, four break dancers.
I think all dancers are control freaks a bit. We just want to be in control of ourselves and our bodies. That's just what the ballet structure, I think, kind of puts inside of you.
Our bodies look solid, but they arent. Were like a fountain. A fountain of water looks solid, but you can put your fingers right through it. Our bodies look like things, but theres no thingness to them.
Dancers are not like movie actresses. People look at our bodies, not our faces. They only recognise me when I sign my name on something and they say, 'Ah yes, Sylvie.'
It's kind of become a journey about the dancers, but dancers are the reason why this show is so successful. They are the choreographers, they are the teachers and if not for their hard work, there would be no 'Dancing With the Stars.'
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