A Quote by Daveed Diggs
What writing a poem really does - and what figuring how to perform effectively really does - is forces people to listen to you. It frames your thoughts in such a way that grabs people's attentions and forces them to hear the things that you're actually saying.
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Sexuality is a place where people are very vulnerable and can be experiencing and embodying very raw forces that they don't really understand and there's a question of how much you should control and how much you should play with those and what those forces really are, how you really feel about them. That's perennial.
There are always forces at work in a society, certainly in America, which are really forces of censorship -either religious bodies or zealots who are always putting pressure on things, whether it's books or art or film. And all art is fundamentally subversive, because it upsets people's perceptions, their notions about society. Therefore, art is dangerous, but good art is always making us reassess our thoughts and feelings about how we relate to other people. There are always people who fear that and want to suppress that.
We often hear people talk about the concept of 'uberization,' where a new technology completely turns an industry on its head and forces us to rethink the way things have always been done. No industry will remain untouched by these forces.
I enjoy singing the songs a certain way, but I don't even know how the writing even began. To me, it's work that is kind of invisible; it's a weird kind of work to have because you're not working, but it's not not work. Formulating your thoughts and making a melody that's catchy enough for people to listen to what you're saying is really hard!
When you are writing a spoken word poem, the tools you're working with are your voice, your body, how it's going to sound to someone when you're saying it out loud. Which is different from when you're writing it on the page. That toolbox becomes how does this look visually on the page, how does this read among pages, how is this in relation to poems that are before it or after it. I don't think one is better or more successful than the other. You've just gotta think about "what are the tools I'm using, and how are they most effective in this form?"
With Hulk, I don't agree with all his choices, but you know what, I don't hear people saying all the great things he does. When he was on the Wheaties box, all those kids that said their prayers and took their vitamins, I don't hear them saying that.
I've been doing lot of work, and hopefully will bring it to fruition in a way people can see it, really understanding - this is going to sound funny, but what does government really do, how is it really funded, and what measures exist to evaluate how it does at what it does? No forecast, no policy, no prediction, just a realistic perspective on what is. Call it like a "10k for government" we've been working on with a website, with additional data.
There are 3 kinds of magic in our world. The peddling little magician magic like Uncle Andrew in 'The Magicians Newphew' where people mess around with things they don't understand. It's movie magic. Then there is the magic of the evil side of things. The demonic forces. And that's not really magic... it's corruption of what really exists. And then finally there is the magic of the Holy Spirit of God which is the creation and maintenence of the universe. We don't understand it... and we haven't the faintest idea how He does it. But it's real. That's the deep magic.
When you're a woman in your thirties, and maybe you don't really know what you want to do with your life, but it seems like everyone else does, and your best friend gets married, and it forces you to look at yourself. I don't know if I described that in a very funny way.
...what's always exciting is when you hear something amazing when you least expected it. Every now and then I'll hear something for the first time that forces me to re-examine my frames of reference, and re-consider musical parameters in general, and that's wonderful . And what's even more wonderful in a way, is when you hear something that you know, and already think you have an opinion about, and then suddenly discover that it isn't what you thought it was, but something quite different, which makes it just as surprising as if you'd never heard it before. That's REALLY great!
People want to hear what I do with Special Forces, as a ranger, as a sniper. And I'm like 'What does that have to do with fighting?' Let's talk about fighting. They couldn't be more different; there's nothing similar about them.
Control does not come from strong police forces, does not come from oppression and repression, does not come from violating people's rights or giving the security systems undue powers
I always had a Twitter account. I always had an Instagram account. I was always active on it, always spoke my mind. To me, it's really weird that I got so many followers and people that pay attention the way they do. It's hilarious, actually, because people didn't used to listen to me at all. I used to be like, "Does anybody hear me talkin'?"
I think that Anderson Cooper does a great job of staying with stories and pushing them. New Orleans he really... He was there and he pushed it past the point where his producers were saying, "Listen, you've got to stop because people are tuning out now. You know, we're on to another disaster." You know, what do you worry about, Haiti, Chile, Turkey? What? You know where do you put your attention and your focus? So for one person to really be able to cover all that ground would be tough.
I have discovered that most people have no one to talk to, no one, that is, who really wants to listen. When it does at last dawn on a man that you really want to hear about his business, the look that comes over his face is something to see.
I write in order to find out what I truly know and how I really feel about certain things. Writing requires me to go much deeper into my thoughts and memories than conversation does. Writing provides the solitude necessary to reflect on being in this world.
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