A Quote by Daveed Diggs

I've always gravitated toward technical music in general. I love jazz fusion. — © Daveed Diggs
I've always gravitated toward technical music in general. I love jazz fusion.
To most people, jazz-fusion means this dreadful synthetic jazz-rock thing, this jazz-Muzak, which I detest. They also think of jazz as a specific form of music, while to me it's just the opposite.
I started out trying to play more straight-ahead jazz. I went to Berklee in the early '60s when it was a brand new school, and so there was no fusion music. There wasn't a lot of mixing together of different kinds of music at that time, so jazz was kind of pure jazz.
Country music's always had the best musicians in any format of music, and I always gravitated toward that, stuff that was musically interesting.
Back in the day, being a young, inspired bass player, I started to gravitate toward jazz fusion. I almost would have called myself an elitist. I got to the point where, for a little bit there, I was more interested in instrumental music.
I love exploring the more complicated side of love. I feel like I've always gravitated toward that.
I always leaned toward free jazz... experimental jazz and progressive jazz. I feel like jazz is just part of the flavor and palette that you have as a musician to experiment with.
Jazz isn't dead yet. It's the underpinning of everything in this country. Whether it's a Broadway show, or fusion, or right on through classical music, if it's coming out of the U.S., it's not going to survive unless it's got some jazz influence.
I love music, I love all kinds of music, particularly jazz. Jazz is an extension of America. There's no other country in the world that could have produced jazz.
I really love jazz, but I will never be a jazz musician as much as I dream. But, I think that the jazz music I love is there in my music.
Scott Feiner is a soulful magnet for the fusion of Brazilian and jazz music.
In a lot of ways, Metallica is like a fusion band. It's not necessarily jazz or any of that, but the music is grooving.
I'm primarily thought of as a rocker, and certainly 'Frankenstein' had a very dramatic power rock image. It was almost a precursor of heavy metal and fusion. But I also love jazz and classical and if there's one common thread that runs through all my music, it is blues.
I grew up in a home filled with music and had an early appreciation of jazz since my dad was a jazz musician. Beginning at around age three I started singing with his band and jazz music has continued to be one of my three passions along with acting and writing. I like to say jazz music is my musical equivalent of comfort food. It's always where I go back to when I want to feel grounded.
I've always had a love for music, and it developed as I learned jazz, blues, and gospel. And I performed with jazz singers in New Orleans.
Sometimes I practice to Allan Holdsworth or John McLaughlin, but I don't just practice to jazz and jazz-fusion albums. I'll practice to TV theme music - one of my favorites is 'M*A*S*H.' I'll just play along with anything on the TV.
It was only later that I found out there was good '70s rock like the Raspberries and the Flaming Groovies. I always gravitated toward the '60s music more, though, like the Kinks, the Who and the Beatles, of course.
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