A Quote by David Byrne

Before recording technology existed, you could not separate music from its social context. — © David Byrne
Before recording technology existed, you could not separate music from its social context.
The only weapon we have to oppose the bad effects of technology is technology itself. There is no other. We can't retreat into a nontechnological Eden which never existed...It is only by the rational use of technology to control and guide what technology is doing that we can keep any hopes of a social life more desireable than our own: or in fact of a social life which is not appalling to imagine.
The spread of information technology and the long-term decline in the cost of computing power have created opportunities that simply did not exist before. Airbnb, for example, could not have existed before the Internet.
Keep in mind, the web existed for almost a decade before social networks became pervasive. Even though the technology was available to make a social network in around 1995, it simply didn't happen until somebody had the idea to do it, do it big, and do it with a certain level of quality a decade later.
[John] Adams was arguing that a separate social order existed that needed to be embodied in senates and his fellow Americans could not accept this and accused him rightly of being obsessed with the English constitution.
[Internet] is kind of like a hammer. The technology itself doesn't determine how its used. It depends on the social, cultural and economic context in which the technology is made available.
The funny thing is, because I was doing a lot of theater when I was a kid, and a lot of that was musical theater, as I got older I became more interested in acting as a separate entity and music as a separate entity, like songwriting and production and recording and playing music.
I've always been fascinated with the juxtaposition of technology in music, not only in recording, but in the keyboard. It's amazing the way you can apply technology to an art form.
Enjoyment of football is part of the social context, and I have lost my faith in this social context.
As a technology guy, and someone in music, I'm on top of technology and social media.
A big part of making music is the discovery aspect, is the surprise aspect. That's why I think I'll always love sampling. Because it involves combining the music fandom: collecting, searching, discovering music history, and artifacts of recording that you may not have known existed and you just kind of unlock parts of your brain, you know?
This fear bears no analogy to any fear I knew before. This is the basest of all possible emotions, the feeling that was with us before we existed, before this building existed, before the earth existed. This is the fear that made fish crawl out onto dry land and evolve lungs, the fear that teaches us to run, the fear that makes us bury our dead.
Inspiring children at an early age is key, and perhaps we need to put technology in a more social context.
We ought to be keeping in mind that the technology is not just hardware and machinery, it is also software. So you can think of languages of the technology and writing of the technology and the social justice of the technology in what social justice does is reduce impacts on the Earth because the most impact is from the poorest and richest people.
Technology, including Zaadz, will allow us to evade the jerks far more than we could before. The technology-based social responsibility movement, broadly construed, will allow us to return to some extent to the moral monitoring of small villages.
In a social context, digital technology introduces you to neighbours of the mind - people who are separated by distance, but close to you in thought and interest.
Gibson wrote 'Neuromancer' on a typewriter, you know, before the technology he was writing about existed.
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