A Quote by David Chase
There's something very dreamlike about film, and I will always be very fascinated by that, and I'm always tempted to go in that direction.
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The biggest misconception about me is perhaps that I film all the time and film everything randomly. The truth is I film very little and always when something excites me and seems to mean something for the film.
I grew up in a kibbutz in the Galilee, but we were surrounded by Arabic villages, so I heard all these sounds and all this music. My father was very close friends with one of the Bedouin tribes, so I would always go there, to weddings, and I was always very fascinated by that music.
When I was asked to make the film, I decided that it was like taking on a new career at the age of sixty-eight. I've never acted before. And taking direction is not something I'm very good at. I've always known who I am and what I was going to do, and I've always just done it.
I am always fascinated by the way kids create their own world. That is something I am very attentive to anywhere I go.
I always miss any kind of constant, especially now that I'm a film-maker who travels all the time. I'm always tempted to go to Catholic churches, although I despise the religion. But you want to go there just because it's the one thing in your life that's never changed.
Loving a film is like falling in love with a woman or with a man like you never expect it. It it's not the one you think you will be in love with, you know. You think always that he will be with a beard, and black, and big and finally he's Chinese and you know it's the same thing. There's something very organic about the film and if you forgot it, if you don't have this seed in it...this organic flavor in it the film doesn't work it's wrong.
I've done very well in the film business. Whenever I have wanted something, the film business has given it to me. I'm very fortunate. My big problem in life has always been, 'What do I want?'
I love film, very, very much, and I always want to go back to it.
I think theatres will always remain a sacred place where people go for something live and experience things live, which is very different than the experience of film.
I've always been fascinated with marine geography and how deep things are. I was spellbound by the tsunami, for example, by the actual maps. There is just something about the unseen bottom of the sea that has always fascinated me, how deep is it.
I am very close to my daughter, and I have always encouraged her to talk to me about anything and everything. I believe that as long as I keep the lines of communication open with her, I will always be able to give her proper direction, protection, and guidance.
Close-Up is a very particular film in my oeuvre. It's a film that was made in a very particular way; mainly because I didn't really have the time to think about how to go about making the film.
I just feel like TV takes more risks than film. Film has gotten very safe: it's very compartmentalized about what type of things will be successful. And whereas in TV, since all these new platforms opened, they're saying to writers, go out there, write the most different show that you can write. Write something that's really original and different.
As for direction, I definitely do not have the patience or the resilience to make a film. Directing a film is very, very hard.
I'm very aware of the influence I've had, and I'm very pleased with that, because it proves that my work was necessary, that people liked it, and that it was right for its time which is a big compliment. But of course, this means I now have to move on. If more people are doing what I'm doing, I have to evolve. I'm pushed toward a new direction, and I have to let myself be tempted, find out where I can go.
Inventing is something that has always come very natural to me. As a child, I was always fiddling with things, making contraptions. I'd see something, go home, and try to make something even better.
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