A Quote by David Copperfield

I got to watch Frank Capra, in his eighties, in action. You read all the stories about Frank Capra fighting with the head of Columbia, Harry Cohn, "It's my way or the highway." I got to watch that. He lambasted me, "You cannot do this. You will fail." Finally, after another hour of conversation, I convinced him to help me write the speech.
I signed with Columbia for two reasons. One reason I saw two of Frank Capra s pictures in Paris, and I want to work with him. Then at Columbia, in Harry Cohn, there is only one judge to please. I could not face the juries of fourteen that I have heard about at so many large studios.
I went to visit Frank Capra, one of my idols, and did a kind of Judd Apatow interview with him. I said, "I'd like the Statue of Liberty to disappear, but I want to do it as a lesson in freedom, how valuable freedom is and what the world would be like without liberty." And Frank Capra looked at me and said, "David, I love your idea, but here's what you're going to do. You're going to try and it's not going to work; it's not going to disappear." And I said, "Mr. Capra, I can't do that."
I still think of Columbia as one Rita Hayworth movie a year, or maybe one a year directed by Frank Capra in the '30s. To see how many really outstanding movies Columbia made, and all together, is kind of eye-opening.
I was fishing with director Frank Capra once and we talked about retirement.
My favorite filmmaker is Frank Capra. He talked about the redemption of the human spirit - not the superhero, but the common man.
My goal would be to make Frank Capra-type films about real people, how they define their reality.
One does not have to make Frank Capra movies to like people.
Frank Capra's grandson was a second Assistant Director on 'Christmas Vacation.'
I went to Dave Eggers with this idea of doing a movie about a guy going through some sort of Frank Capra-esque journey.
I don't know that I'll ever get to make my ideal film, because Frank Capra is dead.
I love Frank Capra. He believed in the goodness of people and one man's ability to fight and often triumph.
I love Westerns. I really love John Wayne. Frank Capra, any of his movies I love.
I'm awful at karaoke, but if I did have to sing, I'd go for my favourite Frank Sinatra song 'I've Got You Under My Skin.' The fact I love Frank is my grandfather's doing: he drummed it into me from a very early age that Frank Sinatra is God.
It wasn't until Hope fluttered over and landed at Alex's feet, peering questioningly up at him, that he finally tore his hands away from his eyes.Oh, my God, he said, sounding disgusted. Why is there a bird looking at me?That's Miss Oliviera's bird, Henry volunteered cheerfully. The captain gave it to her as a present.Kayla punched me in the arm. John's got his captain's license? she whispered. You are so lucky. Frank says he just loads cargo.I glanced at Frank. I wondered if Kayla would like him as much if she knew the cargo he loaded was human souls.
Over the years, if you look at the films of people like Billy Wilder, Preston Sturges, Frank Capra, their supporting characters, even if it's a doorman with two lines, always seem three-dimensional. To me, that's a sign of good storytelling.
You have that Frank Capra kind of side to it and the characters are really well drawn, so I think everybody tried their best to stay faithful to the script.
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