A Quote by David Edelstein
Argo might well be studied as a bait-and-switch masterwork: In showing the capture of the American Embassy in Tehran, Ben Affleck first made a fetish of authenticity, then served up a shamelessly Hollywood, and wholly fictional climax, then capped the whole thing off with a coda that was essentially a tribute to his movie's authenticity, complete with side-by-side photos of the actors and their near-identical real-life counterparts. Well done, sir!
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British diplomats who worked in Iran during the 1980 hostage crisis are deeply upset by Ben Affleck's Oscar-winning film 'Argo,' which suggests they refused shelter to the group who managed to get out of the U.S. embassy.
I personally have never made a movie in Hollywood, because I don't want to get up in my own bed and then go to the movie set, and then come home at night to my real life.
I think that Shakespeare had his male side and his female side extremely well developed. And this was a great quality of the Elizabethan, all-around Renaissance man. They were not afraid of their male side and their female side co-existing. This somewhere along the line got lost. And then it got misunderstood.
Well when I made my first record I thought it would be a good joke to have me on one side, have the lable say John Fahey on one side, and this guy Blind Joe Death on the other side.
What made 'Dark Side Of The Moon' so great is some of the mystique and where it was coming from and just the authenticity of it.
Getting any movie made is just like trying to push a giant boulder up a mountain, and there's so many moving parts. Obviously, there's the creative side, and then there's the logistical side, and they're both colossal.
The recent controversy over the portrayal of Ken Taylor and his embassy staff in the movie 'Argo' brought home to me the great responsibility we writers have when telling stories that involve real people.
I always try to approach things from the point of authenticity. I've done that for my short films, working with non-actors from the real environments where you go exploring and placing them into the cast alongside professional actors.
With 'The Host,' I think the actors could be really big names. That would be cool. I'd love to see Robert Redford put on a beard and be Jeb; he would be amazing... Matt Damon has some very Jared-esque qualities, and then Casey Affleck as Ian and Ben Affleck as Kyle. Imagine the interplay.
I have a split - of my real home-life side that's real-life, and then the creative side that is not necessarily real-life, but it intersects my real-life so much.
With The Host, I think the actors could be really big names. That would be cool. Id love to see Robert Redford put on a beard and be Jeb; he would be amazing... Matt Damon has some very Jared-esque qualities, and then Casey Affleck as Ian and Ben Affleck as Kyle. Imagine the interplay.
When Jose Mourinho went to Real Madrid many moons ago, he no question was the man, but he turned them into a defensive side. He went to Chelsea, won the league and all of a sudden he's on the up again. The following year, complete and utter dismay and then he turned Manchester United into a side that finished sixth.
Blessed is the servant who loves his brother as much when he is sick and useless as when he is well and an be of service to him. And blessed is he who loves his brother as well when he is afar off as when he is by his side, and who would say nothing behind his back he might not, in love, say before his face.
Dr. King said, 'We are all tied together in a garment of mutual destiny.' Which says to me no matter how well I may be doing in Hollywood, if a young brother or sister in Louisiana, the South Bronx, the South Side of Chicago, South Central Los Angeles - is not doing well, then I'm not doing very well.
Each man in his life honors, and imitates as well as he can, that god to whose choir he belonged, while he is uncorrupted in his first incarnation here; and in the fashion he has thus learned, he bears himself to his beloved as well as to the rest. So, then, each chooses from among the beautiful a love conforming to his kind, and then, as if his chosen were his god, he sets him up and robes him for worship.
Well, the first two movies of any size that I did were a movie called 'Everybody's All American' that Taylor Hackford directed - I was pretty diva on that - and then 'Pretty Woman,' which is probably my first real breakthrough.
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