A Quote by David Foster
I am uncompromising to the point of huge dissension in the studio. And it's served me very well. My theory and my philosophy is, 'Compromise breeds mediocrity.' Obviously, you have to pick your battles, and the more success an artist has, the more they want to be involved in their own career, which is not necessarily a good thing.
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I'm wearing three hats; I'm acting, producing, and directing. I was very involved in developing the script, too. But to me, that is very liberating. To me, the lower the budget, the more I want to be involved. I want to be more in control of my own destiny when there isn't much money involved, because you don't have the experts who can control your destiny.
Try to find your individuality, your integrity, and make the effort of not compromising. Because the more you compromise, the less you are an individual. You are only a cog in the wheel, just a part in the vast mechanism, just a small part of the mob - not an individual in your own beauty, in your own right. I am absolutely against compromise. Death is far more beautiful than a life of compromise.
Circumstantial evidence is a very tricky thing. It may seem to point very straight to one thing, but if you shift your own point of view a little, you may find it pointing in an equally uncompromising manner to something entirely different
What is it that an artist does when he is left alone in his studio? My conclusion was that if I was an artist and I was in the studio, then everything I was doing in the studio should be art . . . . From that point on, art became more of an activity and less of a product.
As more and more people recognize the level of violence involved and the consequences of CTE [chronic traumatic encephelopathy, a degenerative brain disorder], they're obviously going to say "We don't want this to be a part of culture." And they overlook the fact that there's a huge swath of the populace where physicality is still a real common thing.
I am wary of sequels. I understand them from the studio's point of view, but the audience doesn't want more, they want better, and I thought the second 'Ghostbusters' was not very effective, it did not really work, so there's no reason to believe a third would. I'm more interested in new things.
One of the things I do tell young women, if they want to pursue a career in acting, is to get good stage training. It is essential to have a good basis in stage technique. You can move into film easily, and acquire more skill and more understanding, but you can't necessarily go the other way around. For women, longevity of career will very much be on stage.
There's more to life than success, and if you can try to be more well-rounded, you'll be able to enjoy your success more. It won't own you or control you.
I am not an alcoholic. I'm a social catalyst. People pay me to illustrate for other partygoers the chemical process involved in transforming from one persona into another drunker, more fun one. It's a matter of going from dull point A to exciting point B. And I'm a raving success at it. So successful that sometimes I wind up at Mysterious Point C.
My target is to score more goals, not necessarily be the next Steven Gerrard. Obviously, my respect for him is very high, but I want to go my own way. I want to be Emre Can, not copy other players.
We're involved right now in some very significant legal battles and it would be the wrong thing for me to do to step out in the middle of those battles.
People have this idea that the more pious and devout I am, the more successful I am. Which is very dangerous. If you look at faith in that way, you're bound to fail at both - spiritually and in your career.
I am an artist through to my marrow, which might be a curse and not necessarily a good thing.
I am not a historian, but I find myself being more and more fascinated by history and now I find myself reading more and more about history. I am very interested in Napoleon, at the present: I'm very interested in battles, in wars, in Gallipoli, the First World War and so on, and I think that as I age I am becoming more and more historical. I certainly wasn't at all in my early twenties.
The thing about 50 is that you've clearly reached a point where you have more of your life behind you than ahead of you, and that's a very different place to be in. You're thinking, 'I've done most of it.' I don't like that feeling. But it makes you evaluate your life and go, 'Am I doing what I want to do? Am I spending my time the way I want?'?
After 25 years sitting on my own in a room, I was looking for a more companionable job and wanted to work more collaboratively. I've also been very lucky in my career, with good advances and multibook deals. But there is some extent to which I worried that I was writing for the contract and not for the impulse of the thing itself.
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