Actually, because of new technologies, my full studio is on my laptop. And I have a little keyboard in my bag. I can make everything I do come from my laptop. Even when I go to a big studio, all I do is to plug in my laptops. That's they way I do it.
I can make everything I do come from my laptop. Even when I go to a big studio, all I do is to plug in my laptops. That's they way I do it.
My studio is a laptop. Everybody I work with is the same. We make computer music, we're the laptop generation.
As the OLPC laptop was getting ready to go into mass production in 2007, many executives approached me wanting the screen that I invented, and the laptop architecture that I co-invented, for their new laptops, cell phones, and other devices.
I am a laptop boy. People say: 'Where's your studio?' I say: 'It's in my laptop, in my rucksack.'
I'm always working on new songs. With the technology these days, any idiot can record on Pro Tools on your laptop. All you have to do is plug a microphone into the input jack and anybody can have their own recording studio. So I'm always down in my basement, singing along to riffs or whoever I'm collaborating with.
I'm portable. I carry a laptop and a little recording studio on my back.
Mesh networking is an old idea. Oddly enough, the low-cost XO Laptop built by the 'One Laptop Per Child' organization - the so-called $100 laptop - was designed with built-in mesh networking. The idea with the XO machine was that many kids using those laptops would be out in rural areas without reliable Internet access.
I hate studios. A studio is a black hole. I never use a studio to work. It's very artificial to go to a studio to get new ideas. You have to get new ideas from life, not from the studio. Then you go to the studio to realize the idea.
If you come up with the original idea on your laptop, anything else is an embellishment of that idea. It's nice to have the option to mix inside a big studio, but at the end of the day, it comes from an original spark, which often happens while sitting on the couch.
When I first started, all I had was the laptop and some cheap headphones. I ain't have no speakers. You know, no Rocket speakers or no MPC. No keyboard, none of that. It just was the laptop and the headphones. Going from there, it just teaches you a lot.
I want to make big movies - but I don't want to have to die a little death every single time I do. Until I meet the people or the studio or the business people who will let me do things a little bit more the way that I need to do them, I probably shouldn't be making big studio movies.
I never used to be able to work on the road, I was always strictly in the studio. But not everything's gotten smaller - I have Ableton on the laptop now and a sample library, which means I can use that downtime to pour it into the music.
I either write songs on guitar, or... I don't ever have a keyboard with me, but like, my keyboard on the laptop.
If your house is on fire and you can only escape with your life and one thing, what one thing would you take out of your house? I got to think my laptop is the one thing that is totally irreplaceable. Either that or my son. Laptop. I'll go laptop.
I was scared every time I put on a uniform and stepped on the field. I’m scared every day I go into the studio and I come on stage because I fear that I will not live up to what is expected. I fear that somebody who spent a lot of money to come into our studio, to come to New York and they’ll walk away and go, ‘I could have stayed at home.’ I feared that as a player a fan would come to the stands and I wouldn’t perform well. Just the way I’m built. I’m more scared of failure than I am excited about the accolades that come with success.
I remember having computers at my parents' house growing up. We had different desktop PCs, but my first laptop was an IBM ThinkPad laptop. It was big, bulky, slow and terrible.