A Quote by David Hewlett

You can make amazing sci-fi films if you want to with very, very little money and very advanced technology that can run on your desktop. — © David Hewlett
You can make amazing sci-fi films if you want to with very, very little money and very advanced technology that can run on your desktop.
There are so many sci-fi fans and it's such a big business now. So many people love sci-fi, and they're so loyal. I would be lying if I said that the fact that I had been on a very popular sci-fi show and had some recognition in that world didn't help me get the job on another sci-fi show.
I'm a sci-fi fan, but a lot of the sci-fi you're getting is the same. It's very stereotypical.
I'm not from a particularly sci-fi background. I'm not anti sci-fi at all, but I've never been known as a sci-fi writer and, suddenly, I was creating a flagship BBC sci-fi show, which is terrifying sometimes.
One of the great things about the sci-fi genre is that you can kind of get away with a bit more when talking politics, making social references or dealing with very hot-button topics because it is sci-fi.
I've actually found that most of my jobs have been in sci-fi. I realized it because sci-fi has the biggest fan following. Every time I do a play in London all these sci-fi fans come out. They ask me to sign things from all these little projects that I did. I hadn't even made the connection. It doesn't always have a spaceship and guns; sci-fi has been projected on in someway. I did Never Let Me Go, which is sort of Star Trek-y. It's about the future and training humans. It's sci-fi too. It's such a broad umbrella.
I sort of feel like 'Mad Men' fans are like sci-fi fans because they are very, very devoted, and they're very loyal and very excited about it.
The sci-fi movies I grew up with, the metaphor was very rich, and they used to really mean something: David Cronenberg's films, or John Carpenter's films, or the Phil Kaufman and Don Segel versions of 'Invasion Of The Body Snatchers,' or George Romero's early zombie films.
It was very, very important to me to represent a broader swath of humanity that often isn't seen in futuristic sci-fi.
I think sci-fi films have become rather bleak, and understandably so - I think we've made some big mistakes globally with how we're developing, and we deal with that guilt by creating these very dystopian futures in films.
I want to do a little bit of everything. I love sci-fi. I think it's more the characters that draw me towards things. I like strong women. I'm very interested in futuristic stuff, anything.
One of my favorite sci-fi books is 'Ender's Game' by Orson Scott Card. I would recommend it to anyone who loves sci-fi. It's a perfect intro to sci-fi.
I have to say, as a young woman of color, and this may sound controversial, in sci-fi, anything is possible. In sci-fi I can belong to the military. In sci-fi I can have an interracial love affair; I can be a revolutionary.
I'm in the process of working out an arrangement to make some very, very, very small films in the midst of all these films and maybe that will help. But you get tired of talking. You just want to do it.
I like very human stories that venture into sci-fi or the supernatural or areas that I think occupy a lot of space in our collective memory for the films that we loved as children.
There's very few people who want to just make beautiful films that make money, when they can make films that make huge money.
There's very few people who want to just make beautiful films that make money when they can make films that make huge money.
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