A Quote by David Hewlett

If I was Leo DiCaprio or someone similarly gifted and successful I wouldn't be writing. I'd be too busy acting in all the best scripts in town to try and write them! — © David Hewlett
If I was Leo DiCaprio or someone similarly gifted and successful I wouldn't be writing. I'd be too busy acting in all the best scripts in town to try and write them!
We hurt people by being too busy. Too busy to notice their needs. Too busy to drop that note of comfort or encouragement or assurance of love. Too busy to listen when someone needs to talk. Too busy to care.
I'm always trying to find that role that will allow me to stretch and play a lot of different sides, but it's hard. To be frank, as an actor, I read maybe a hundred scripts a year and I really strongly respond to probably two, but every other actor in town responds to those two scripts, as well. It's hard to land those roles that are really good because they're coveted. That's why I try to create for myself, and that's why I've been doing things outside of acting, like writing and producing. I try to not have to depend on other people so much.
Good acting is good acting, however you learn it. Some people who haven't studied are amazing. Some people like Leonardo DiCaprio are naturally gifted - he's learned technique by working with people early on.
I live in a small town in Connecticut, and they don't write scripts there, but I get them anyway because my agent is in Los Angeles.
In essence, we’re their servants who help them and who guard them from the public. (Leo) Oh gee, golly, goodie, Mr. Leo! Can I have my eyes gouged out, too? (Susan)
I started writing because I wanted to write scripts, but I wasn't very good at it. Then I started writing short stories, sort of as treatments for the film scripts, and I found I enjoyed writing short stories far more than I enjoyed writing film scripts. Then the short stories got longer and longer and suddenly, I had novels.
When I'm not acting, I'm writing, building an inventory of scripts. Even if they sit on the shelf, I just keep stacking them up.
It's a date," Leo repeats, and we shake on it.Leo's mother sticks her head in the door. "You guys are too young to be dating!" "Mom!"Leo cries,turning bright red.
A lot of actors choose parts by the scripts, but I don't trust reading the scripts that much. I try to get some friends together and read a script aloud. Sometimes I read scripts and record them and play them back to see if there's a movie. It's very evocative; it's like a first cut because you hear 'She walked to the door,' and you visualize all these things. 'She opens the door' . . . because you read the stage directions, too.
Whether I'm writing scripts or prose, the goal is identical. To give pleasure. Now whether I succeed or not is up for debate, and, mostly, I fail. But I try. I like to make things. It's a way to stay busy during one's ephemeral and confusing life.
Lots of things are hard work, but I think writing, for me, after I started acting at 13 years old. I like writing now much more than I do acting only because, well, partly because the scripts that are offered are junk.
Lots of things are hard work, but I think writing, for me, after I started acting at 13 years old. I like writing now much more than I do acting only because well, partly because the scripts that are offered are junk.
I don't think I could form my writing into scripts or novels. It's so sporadic. My writing's pretty poor. I often think, "Who's this for?" Sometimes it's impressions of the day or my life, or it's fiction. Sometimes it's about things I want to remember, or I try to write in really awful French.
I'm not a fan of mysteries, so to prepare for this experience of writing a mystery I started reading the most successful ones in the market in 2012. And I realized I cannot write that kind of book. It's too gruesome, too violent, too dark; there's no redemption there.
Successful writers are not the ones who write the best sentences. They are the ones who keep writing.
I don't think you could teach someone to be a genius, but you can certainly teach them to not make rookie mistakes and to look at writing the way a writer looks at writing, and not just the way a reader looks at writing. There are a lot of techniques and skills that can be taught that will be helpful to anybody, no matter how gifted they are, and I think writing programs can be very good for people.
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