A Quote by David Hockney
Modernism in a way, early modernism, for instance, in pictures, was turning against perspective and Europe. And all early modernism is actually from out of Europe, when you think of cubism is African, is looking at Africa, Matisse is looking at the arabesque, Oceania. Europe was the optical projection that had become photography, that had become film, that became television and it conquered the world.
Related Quotes
Post-Modernism was a reaction against Modernism. It came quite early to music and literature, and a little later to architecture. And I think it's still coming to computer science.
I don't much like post-modernism, because post-modernist has become the basket in which every mediocre person can shuffle things and pretend to do something significant, and we could also mention who use post-modernism in this way - maybe we shouldn't.
Post-modernism is modernism with the optimism taken out.
Modernism, rebelling against the ornament of the 19th century, limited the vocabulary of the designer. Modernism emphasized straight lines, eliminating the expressive S curve. This made it harder to communicate emotions through design.
Europe is not one of the major powers. And Africa even less so of course. But Africa has what Europe lacks: space, human resources, and natural resources while Europe has the technological innovation that Africa lacks. Together we can become a power which can count in the future.
Postmodernism was a reaction to modernism. Where modernism was about objectivity, postmodernism was about subjectivity. Where modernism sought a singular truth, postmodernism sought the multiplicity of truths.
Libya faces along to the Mediterranean and had been effectively the cork in the bottle of Africa. So all problems, economic problems and civil war in Africa - previously people fleeing those problems didn't end up in Europe because Libya policed the Mediterranean. That was said explicitly at the time, back in early 2011 by Gaddafi: 'What do these Europeans think they're doing, trying to bomb and destroy the Libyan State? There's going to be floods of migrants out of Africa and jihadists into Europe', and this is exactly what happened.
Libya faces along to the Mediterranean and had been effectively the cork in the bottle of Africa. So all problems, economic problems and civil war in Africa - previously people fleeing those problems didn't end up in Europe because Libya policed the Mediterranean. That was said explicitly at the time, back in early 2011 by [Muammar] Gaddafi: 'What do these Europeans think they're doing, trying to bomb and destroy the Libyan State? There's going to be floods of migrants out of Africa and jihadists into Europe, and this is exactly what happened.
Modernism in architecture went hand in hand with socialist and fascist projects to rid old Europe of its hierarchical past
The moment in the account of Adam and Eve in the book of Genesis is when they realize they're naked and try and cover themselves with fig leaves. That seemed to me a perfect allegory of what happened in the 20th century with regard to literary modernism. Literary modernism grew out of a sense that, “Oh my god! I'm telling a story! Oh, that can't be the case, because I'm a clever person. I'm a literary person! What am I going to do to distinguish myself?...a lot of modernism does seem to come out of a fear of being thought an ordinary storyteller.
There is a species of moral, legal, and social modernism which we condemn, no less decidedly than we condemn theological modernism.
There is a fascination with violence and power in all modernism, and I sort of saw classic modernism as being more similar to Wyndham Lewis than to the Renaissance. It's not about flow and the presence of humanism and all those things.
Decoration is asked to be 'merely' pleasing, 'merely' embellishing, and the 'functional' logic of Modernism leaves no room, apparently, for such 'mereness.' This is part of the pity of Modernism, one of the sacrifices it enjoins.
Modernism was a big thing for me, coming from a father who was very interested in art, music and culture - and almost always Italian art, music and culture. One good thing about Italians is that culture is part of everyday life. But Modernism is a movement of the past. The idea of a Modernist building as a sculpture set on a pedestal of grass is a part of Modernism that I'm not so crazy about.
I think that in this globalised world, the local is going to become more and more important - it is a paradox. You see it in Western Europe more and more. Eastern Europe is still coming out of the Soviet uniform cultural era, but this kind of separation and nationalism is very obvious now in Western Europe.
I had been a journalist in Europe and then went to divinity school in the early 1990s, and came out as somebody who had the perspective of a journalist and was now also theologically educated.
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