A Quote by David Ives
I've taught both screenwriting and playwriting, and playwriting is both much harder and much more rewarding. One can teach people how to tell a story in cinematic ways, but theater is a much more elusive craft.
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It's no use to go and take courses in playwriting any more than it's much use taking courses in acting. Better play to a bad matinée in Hull, it will teach you much more than a year of careful instruction.
I guess television is so much on the word. It's so much closer to playwriting - the scale is more just about the voices and the internal lives. Movies, it's a very different canvas.
I enjoy both acting and screenwriting, in completely different ways. You have more creative freedom with writing because you can create everything that happens. But, as an actor you also have creative freedom because you don't so much focus on what has to move the story along, and only on how your character is reacting to situations.
I find playwriting really painful. I love it, or I wouldn't do it, but I don't love the theater as much as I love movies.
I do think that the role of the Internet, and the way it's bringing everything into the home, has made a parent's job much more difficult. And it's harder to know what to do and how to do it. It's much, much harder.
Once a musician has enough ability to get into a top music school, the thing that distinguishes one performer from another is how hard he or she works. That's it. And what's more, the people at the very top don't work just harder or even much harder than everyone else. They work much, much harder.
Playwriting isn't a calling so much as it is a hazing process.
In my own mind, we are a much happier and much more functional family and a much more well balanced group of individual s both off and on the stage - in the current incarnation.
Just finished 'Secrecy' - truly enthralling both as a love story and as a tale of suspense - but much more than both.
I love going to the runway shows. It's not so much for me a shopping trip as it is the appreciation of the craft of these design geniuses who come up with beautiful color combinations and beautiful proportion suggestions and these kind of ideas, so I look at the runway shows in very different ways, just kind of a romantic artistic interpretation of how they would like to see fashion going forward, but for me it's much more abstract. The runway shows are much more abstract than you know what ends up on people is much more real to me.
Jay-Z is more naturally gifted. He didn't depend as much as 50 did on his personal story. Jay-Z has a great story, he came from a pretty rough background. But 50's early success was so much fueled on the story and where he came from. With Jay-Z, I feel he has a more natural gift for language and for music itself. 50 really had to study and work at it much harder.
As a writer of both novels and screenplays, I can say that screenwriting is a vastly rewarding creative life - if you fight hard enough to do it on your own terms. Whether I write books or not, my screenwriting life has been creatively rewarding and remains so.
When you think things are bad, when you feel sour and blue, when you start to get mad... you should do what I do! Just tell yourself, Duckie, you're really quite lucky! Some people are much more... oh, ever so much more... oh, muchly much-much more unlucky than you!
I placed too much importance on comparing how much I had to others early on. Then I started realizing time was a far more valuable asset. When I started using money to create more time, I appreciated both more.
I am much more aware of making the plot more original, avoiding contrivance, having the story matter much more. I used to think more about symbols consciously. Now I think much more about the story.
I began as a dramatist in the theater, so I'm always thinking about how a story moves, what it looks like, how to engage the senses, how dialogue sounds, what feels authentic and sounds real, what's funny, how to build distinctive and original characters - all the aspects of playwriting, scene-building, the architecture of dramatizing.
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