A Quote by David Liss
Wright and Cowen, who have separately written important scholarly works on the financial history of the early republic, here repackage their research for readers of popular history, and do so impressively.
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If you really want to be part of something and you have that much passion towards it, you'll know enough to research it and find the history of it; and history is so important, history is everything.
I've seen things change and people forget: the history of Berlin, the history of queer struggle, the history of AIDS, the history of New York changing from an artistic powerhouse to more of a financial one now.
Economics are part of our life. We try to treat them separately, like over there is the economy and here is history. Econ affects history and history often doesn't get it right if it doesn't respect econ.
History teaches us that the capacity of things to get worse is limitless. Roman history suggests that the short, happy life of the American republic may be coming to its end... the US will probably maintain a facade of constitutional government and drift along until financial bankruptcy overtakes it.
My book, Oral History: Understanding Qualitative Research is about how researchers use this method and how to write up their oral history projects so that audiences can read them. It's important that researchers have many different tools available to study people's lives and the cultures we live in. I think oral history is a most needed and uniquely important strategy.
One of the things I know from the study of history is that history surprises you. History is not written. It's not inevitable.The victory of evil is not certain.
History is not truth versus falsehoods, but a mixture of both, a mélange of tendencies, reactions, dreams, errors, and power plays. What's important is what we make of it; its moral use. By writing history, we can widen readers' thinking and deepen their sympathies in every direction. Perhaps history should show us not how to control the world, but how to enlarge, deepen, and discipline ourselves.
All other forms of history - economic history, social history, psychological history, above all sociology - seem to me history with the history left out.
If you look across a host of measures at adoption studies, fraternal v. identical twin studies, twins-raised-apart studies, the history of early childhood intervention research, naturally-occurring experiments, differences between societies, changes over history, and so forth, you tend to come up with nature and nurture as being about equally important: maybe fifty-fifty. The glass is roughly half-full and half-empty.
In the past, history was always written by the victors. But in the age of Twitter, history is written by everyone.
It is unfortunate that so much of the history of Africa has been written by conquerors, foreigners, missionaries and adventurers. The Egyptians left the best record of their history written by local writers.
I was born in England and went to school there. That's when I discovered my undying passion for history - not just for the Middle Ages, but all periods of history. My favorites are medieval, Elizabethan, and Georgian; however, I've written stories set in periods as early as ancient Rome, right up to the Victorian era.
The first half of 'Book Reports' deals with the history of popular music and rock criticism. When I hooked all those historical pieces together, building on the minstrelsy piece, it became my history of popular music.
History is the history of human behavior, and human behavior is the raw material of fiction. Most people recognize that novelists do research to get the facts right - how a glove factory works, for example, or how courtesans in imperial Japan dressed.
We must create a history of India in living terms. Up to the present that history, as written by the English, practically begins with Warren Hastings, and crams in certain unavoidable preliminaries, which cover a few thousands of years...The history of India has yet to be written for the first time. It has to be humanized, emotionalized, made the trumpet-voice and evangel of the race that inhabit India.
I'd done a lot of research in Hollywood and in academia. I love research and so I wanted to kind of ground the book in history, in things that I read that were universal and timeless and then kind of let my own experiences sort of filter through all of this history.
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