A Quote by David Nutter

Really, the audience's objective is to exercise their emotions when they're watching. They want to lean in and care. — © David Nutter
Really, the audience's objective is to exercise their emotions when they're watching. They want to lean in and care.
I'm not going to change and get the emotions out of my game. It's important to have emotions in sport. If you don't have emotions, it's like you don't really care. Because if you care about something, you're always going to be emotional. Doesn't matter if it's sports or personal life.
I try to make all my work as honest as possible. I want the audience to feel like they're watching two people talking-having a conversation-as opposed to watching actors fake it. I want the audience to get lost in the fact that this is so good it could be real.
I actually prefer teammates that have emotions. It means you care, compared to a guy that's kind of just nonchalant and goes about it like it doesn't matter. So I want guys that care. I want guys that show they care.
I see the most change in my body through exercise. They say diet determines your weight, and exercise determines your shape - I find that to be a pretty true statement. When I'm doing a lot of boxing, my hamstrings are really strong and my biceps. When I'm doing a lot of Pilates, I find that my core is really lean and my inner thighs.
You can look at what's happened to America in the last years and say a lot of people were asleep. A lot of people were not staying awake and watching what was going on and facing the pain of that and dealing with it.I don't care if the rest of the audience doesn't think along those lines at all, because the audience is a huge spectrum of people, from people who are introspective to people who just want to be scared and have fun, and all the points in between.
Television masturbates its audience even though the audience is not really watching. It masturbates orifices the audience doesn't have. It sticks holes in the viewer and masturbates in those holes. Then it finally gets into the brain and masturbates there, too.
I don't want to be Sheryl Sandberg and 'Lean In', I don't want to lean in like a guy. I want to be more. I want to be a woman and proudly a woman.
But there's an enormous difference between an audience that's watching you because they can't wait to see what comes next and an audience that's watching you because they're waiting for you to fail.
Hollywood has cracked emotions very well with animation, and that is where India will eventually cover because it is an emotional country, and we just want a right story to tell, which will stir the right emotions with the audience.
I can't say that I am a DVD junkie. I see most films that I want to see in the theater, and so most of my DVD-watching is catching up with the occasional movies that I missed or revisiting a film that I really care about, in which case I really want the extra channels, because it's a movie that I already love, and I want to know more about it.
Really good comedians, you know, when they go on stage, they don't really care what the audience - they're fearless, you know? They're so comfortable that they don't care. They don't have that neediness where they need the laughs.
For the really scary stuff to work at the end you have to fall in love a little bit with the family and want then to be ok. And once you get the audience to buy in on that then they care. They want them to be okay.
You want to go to a place where you work every day, where you get to tell stories that look and feel like the audience in America that are watching. You're really limited, if you walk into a room and you can just tell stories about that. So, we've been really blessed.
I do not care for anything. I do not care to ride, for the exercise is too violent. I do not care to walk, walking is too strenuous. I do not care to lie down, for I should either have to remain lying, and I do not care to do that, or I should have to get up again, and I do not care to do that either. Summa summarum: I do not care at all.
I want my audience to leave the theatre with positive emotions through this sensorial journey in the world of precious and fragile teenage beauty. And also the idea that the difficulties that we have to go through help us reveal who we really are.
I learned a great lesson early on, even before I was really an actor, from that movie 'Planes, Trains & Automobiles' that John Hughes made: that you could make a movie that's really, really, really, really funny, and sometimes you can still achieve... making the audience feel very deep emotions as well.
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