A Quote by David Nutter

When Orlando gets to the point where they're hiring local directors, that will be good. — © David Nutter
When Orlando gets to the point where they're hiring local directors, that will be good.
I'm so appreciative of Orlando. I am Orlando. Orlando made me. So when people link my name, they link my name to Orlando and nowhere else. I'll always be indebted to Orlando for that and grateful at the same time.
I will be in Orlando during the atheist convention to do my best to counter the assaults upon Christ of the atheists. I also plan on running a large newspaper ad in the Orlando Sentinel addressed to the atheists and warning the Orlando area of the atheists' vile plans for their children.
When Boston and Orlando told me they were going to pick me at 21 and 22, I figured I don't need to do a workout for a second -round team. Boston and Orlando never drafted me because they said I was too skinny and no European point guard will make it in the League.
Marvel has this tradition, and I think that Sony has this tradition too, of hiring directors for Spider-Man who are dramatic directors. That are directors who are interested in human beings, in characters, in drama, and who are really good with actors. That kind of feels like a Spider-Man director to me. And because Spider-Man is always as big as the films that are being made at Marvel, it always is character and story. You can never take that out.
It's not often I get to do a film that turns out good. Plus, there just aren't that many great directors out there. There are a thousand different decisions that need to be made with each script and it's the good directors that can make those decisions. It's a long and complicated process in regards to what looks good on paper. Working on a bad film can be fun too. It can be a good exercise that gets you writing.
It's hard for new directors to find good tracks because we don't usually get to choose good music by good artists. I honestly think music videos will slowly die out. There will always be a few directors who do cool things. But look how many great videos there were in the '90s, and then look at the 2000s. It's depressing.
Local television is a slightly different story. It is under much more pressure in the same way that all local businesses are, whether that's a local newspaper, local radio or local television. But I think television in the aggregate is actually in very good shape.
It's important to push the agenda of hiring women directors.
Magnitude may be compared to the power output in kilowatts of a [radio] broadcasting station; local intensity, on the Mercalli or similar scale, is then comparable to the signal strength noted on a receiver at a given locality. Intensity, like signal strength, will generally fall off with distance from the source; it will also depend on local conditions at the point of observation, and to some extent on the conditions along the path from source to that point.
As an individual, you know what you are good at and what you're not good at, so over time as you are hiring, you should be hiring for the skill requirements as the rule, but you should also be thinking, "What am I less good at?" and knowing you need to hire those people to create a stronger team. Different personalities are good at different things, but as a leader and and entrepreneur, it often has to start with you and building around your shortcomings.
I am a lifelong career artist, which itself is a bit of a miracle. It's really challenging to be a career artist. I would say that the argument for grant funding is not only did my movie do some social good - hopefully it opened people's eyes - but you created a working artist. I'm hiring cinematographers, I'm hiring production designers, I'm hiring producers.
I made it real clear I wanted to play in Orlando. Part of it was Shaq. But I also just liked Orlando. It's not all glitzy and reminds me of Memphis.
Obviously local people will have their local voice through the police and crime commissioners that they've elected to determine their local policing.
I formed this thing called the Half Foundation, and what I tried to do is quantify hiring practices in Hollywood. Half the population is women, so half of the storytellers should be women. Fifty percent of all the directors in my company are women, and it will forever be that way.
Humour is often linked to shared experience. Like, a guy gets up and says, "Have you noticed public restrooms have really inefficient hand-dryers?" Oh my God, yes I have, hahaha, really good point, they should... fix that. It's good to know that somebody finally gets me!
We've gotten to a point where it costs so much money to make a movie that directors and filmmakers feel they have to make sure that everybody gets it. And that's an unfortunate development, I think, in a lot of narratives floating around in the film industry.
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