A Quote by David Oyelowo

Considering how pervasive interracial marriage is, certainly in American society, it is rare we get to see it depicted on film. — © David Oyelowo
Considering how pervasive interracial marriage is, certainly in American society, it is rare we get to see it depicted on film.
The so-called Defense of Marriage Act is a valueless tradition that, like laws against interracial marriage that were finally overturned by the Supreme Court in 1967, undermines the spirit of love and commitment that couples share and sends the wrong message to society.
I come from an interracial family: My father is from Nigeria, and so he is African-American, and my mother is American and white, so I rarely see skin color. It's never an issue for me.
The fact that I was African American was never addressed, and that allowed me to just be a student, like anyone else. I was not aware of how rare it was to be an African American, how rare it was to have four years of training under my belt, and how, even though I could imitate people and fake it, unprepared I was to become a professional.
Now, I'm for interracial marriage. I'm for same-sex marriage. I'm the one that introduced the bill to have same-sex marriage. I don't care who marry who. If a man meet a little mule and he wanna get married to the little mule, as long as he and the little mule get along all right, that's fine with me. It doesn't bother me any kind of way.
Thirty years ago, interracial marriage was considered to be wrong by the laws of God. Now your society finds it common. The spiritual objections around it were either dropped or "rewritten" by those divinely inspired and authorized to do so. Therefore, your actual interpretations of the instructions from God changed with your society's tolerance level - an interesting thing, indeed, how the interpretations of God seem to change regularly to match a changing culture!
I loved American filmmakers when I was growing up. I didn't get to film school or anything. I was a very bad student. I just devoured film, but there was a point in my teens when I started to run a little film society.
Gay marriage won't be more of an issue 25 years from now than interracial marriage is today.
I think we can see violence in a whole range of realms. We certainly see it in the media, where extreme violence is now so pervasive that people barely blink when they see it, and certainly raise very few questions about what it means pedagogically and politically. Violence is the DNA, the nervous system of this system's body politic.
It is that rare film [Moonlight] that comes along once in a while that catches the zeitgeist. This movie is that. I certainly have my fingers crossed that it is. Everyone needs to see this movie.
It's very rare to get a film script that has good dialogue. A lot of the time, you spend on film sets really fighting to find out how to say the words.
Racism is so extreme and so pervasive in our American society that no black individual lives in an atmosphere of freedom.
I think it's probably a bad idea for young boys to see how they're being depicted in men's fantasies. It could get very dark. You could learn how to do things wrong.
I'm very troubled when editors oblige their film critics to read the novel before they see the film. Reading the book right before you see the film will almost certainly ruin the film for you.
This notion that Americans have. . . that they don't have to do anything other than be American in order to lead - that's very pervasive in the culture, it goes very deep into how they see themselves here.
I served as a Marine sniper for three years, and I believe the film 'American Sniper' depicted what we do perfectly.
I'm in an interracial marriage.
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