A Quote by David Rockefeller
Mother's taste was eclectic and ranged from the ancient world to the contemporary from Europe to the U.S.
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As a spectator, I have very eclectic taste, whether it's comedies or action or very small, intimate films. And I feel as a filmmaker I should be able to have that same eclectic taste.
A highly cultivated taste, a taste that is knowledgeable and eclectic, is likely to be exciting and provocative, a personal taste at its highest level.
I like things that are kind of eclectic, when one thing doesn't go with another. That's why I love Rome. The town itself is that way. It's where Fascist architecture meets classic Renaissance, where the ancient bangs up against the contemporary. It has a touch of everything. That's my style, and that's what my work is about.
I have eclectic taste, and I love vintage style mixed with glamour and old world charm.
The world of contemporary art has, in a way, exponentially expanded in the last couple of decades, and almost every major city in Europe and Asia and North America has fallen over themselves to have their own contemporary art museum.
I'm not modern or ancient: I'm just contemporary. I'm sure every guru of his time was contemporary.
I never set out to build some behemoth comedy career. My taste in movies is far more eclectic than that so my aspirations as a filmmaker are far more eclectic than that.
I have a very eclectic taste when it comes to music.
I'm a man of eclectic and wide and broad taste.
My taste in music and entertainment is quite eclectic.
Beyond the mythology, Wonder Woman gets to play with several dichotomies. It's Amazon culture versus man's world; ancient mythological times versus the contemporary world; and, of course, all the male and female issues.
taste governs every free - as opposed to rote - human response. Nothing is more decisive. There is taste in people, visual taste, taste in emotion - and there is taste in acts, taste in morality. Intelligence, as well, is really a kind of taste: taste in ideas.
My eclectic taste allows me to do something unique and not box myself in.
I have a real eclectic taste for work, for movies, for characters and jobs.
I am making an Enlightenment Capsule for the audience to meditate inside - virtual reality in which people can experience ancient ideas from the East... But I'm not interested in using ancient things; rather I want to connect them with contemporary life through the technology we have now.
In this case [the Charlemagne Prize], I don't say (I was) forced, but convinced by the holy and theological headstrongness of Cardinal [Walter] Kasper, because he was chosen, elected by Aachen to convince me. And I said yes, but in the Vatican. And I said I offer it for Europe, as a co-decoration for Europe, a prize so that Europe may do what I desired at Strasburg; that it may no longer be "grandmother Europe" but "mother Europe."
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