A Quote by David Salle

I have a terrible confession to make, sort of like those people who say that they've been mispronouncing a word all their life: I've never read Ways of Seeing all the way through. I'm sure I carried it around with me in art school.
The "r" word [racism] is a scary word to me - I don't like to say it. I'm not trying to say it doesn't exist. It's incredibly inflammatory and invites a lot of awful mistakes and injustices that have happened and still do happen. It's a word that has been thrown around in a way that incites a lot of bad feelings in most people.
There are so many different ways to make art. And so many good stories. You don't have to have a budget. I feel like it's super possible these days for people to make anything, no matter who you are or where you come from. And that's really exciting. I'm excited to see people around me pushing boundaries in that way, not letting certain structures define them or what art they can make.
I have been writing my heart out all my life, but only getting a living out of it now.... ... it's not a question of the merit of art, but a question of spontaneity and sincerity and joy I say. I would like everybody in the world to tell his full life confession and tell it his own way and then we'd have something to read in our old age.
There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make one almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie.
I would say a lot of the emotion in what I do is a sort of a thankfulness for those energies being around, because there's been points in my life when they weren't around, and it's a real sort of miserable existence.
The word 'confession,' to me, means needing to be absolved. I'm not asking for forgiveness. I'm not asking people to understand. I'd like to think that I tell stories and sometimes my life weaves through it.
I'm not one of those people that's to myself and just quiet. I've never been like that, man. I've always been kind of loud. I'm out there, man. I do my thing, but I don't do it disrespectful. But when people rub me the wrong way, I rub people the wrong way. But I say what I say and I mean what I say.
I'm a big believer that there's more power in numbers and the more you can expand the stories that are relevant to both communities, the better. For example, a school that's terrible for black kids is terrible for brown kids. We have to figure out ways to navigate the school systems and make sure that we're investing in a public education system that's beneficial for all kids.
We need to make sure that there's art in the school. Why? Why should art be in the school? Because if art isn't in a school, then a guy like Steve Jobs doesn't get a chance to really express himself because in order for art to meet technology, you need art.
My life has been about living like a monk and looking like a priest so that people will come up to me and tell me their most appalling stories. They have to make their confession to somebody, and it might as well be me.
One of the things I do take some pride in is that if you had never read an article about my life, if you knew nothing about me, except that my books were being set in front of you to read, and if you were to read those books in sequence, I don't think you would say to yourself, 'Oh my God, something terrible happened to this writer in 1989.'
The German experience, as you can see, did move me very much. Seeing that terrible destruction and seeing the miserable state of the people, how they had been beaten down by the war through no fault of their own probably.
Women in particular seem to say things like, "I'm sure I'd be the one screaming and not moving in an emergency." I don't think that's the case. People who've been through really horrible life-or-death situations say that nobody behaves the way they would have expected. But that said, there are predictors.
I've often said the most difficult things I have to say to people through humour. I can very quickly put someone in their place with it. But we all walk away unscathed because there's been some funnies around it, and I'll usually make sure that it comes back at me.
I actually think that my films are intellectual. I think almost everything I do is intellectual, but I would never say that, because that's a compliment. That's up to others to say about me. The same way, I would never say I do art. I think art is up to history. It's up to other people to utter that word. So I try to be humble.
I'm really terrible at math, so I won't even attempt to do ratios and percentages, but all I know is that there's a lot of new songs that no-one has heard yet, and that there's a lot of old songs that some very, very super hardcore fans have heard for sure - there are people that have been coming and seeing me play in bars in like 2002, and there are songs that those people heard.
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