A Quote by David E. Cooper

Between nature and music there seems to be an elective affinity: they fit together, and when they do experiences of an ineffable kind are generated. — © David E. Cooper
Between nature and music there seems to be an elective affinity: they fit together, and when they do experiences of an ineffable kind are generated.
The closest thing to a law of nature in business is that form has an affinity for expense, while substance has an affinity for income.
The first measn by which He draws is affinity, that affinity which brings creatures of the same species together, and like to its like. With this cord of affinity He drew men to the Godhead, Whom He always resembles. In order that God may draw more to Himself, and forget His wrath.
The steps must be second nature to me, so that the music seems to be drawing the steps out of me and I don't look as if I'm struggling to fit the steps to the music.
There certainly is an affinity between a person and his work, but it is not easy to define what this affinity is, and on that question many judge quite wrongly.
People from different backgrounds may not have natural affinity, but when the Word of God is treated right and the Holy Spirit is allowed to engage, it can bring together things, people, backgrounds, histories, races, colors, and cultures and hold them together in a way that natural affinity may not be able to do.
I rebel at the notion that I can't be part of other groups, that I can't construct identities through elective affinity, that race must be the most important thing about me. Is that what I want on my gravestone: Here lies an African American?
It is not only poverty that torments the Negro; it is the fact of poverty amid plenty. It is a misery generated by the gulf between the affluence he sees in the mass media and the deprivation he experiences in his everyday life.
The human condition can be summed up in a drop of blood. Show me a teaspoon of blood and I will reveal to thee the ineffable nature of the cosmos, naked and squirming. Squirming. Funny how the truth always seems to do that when you shine a light on it.
If you go into the eastern bloc countries we are huge, and in Russia. Maybe there is something about the depressing nature of our music and lyrics that some people find an affinity with.
Siphonophores do not convey the message a favorite theme of unthinking romanticism that nature is but one gigantic whole, all its parts intimately connected and interacting in some higher, ineffable harmony. Nature revels in boundaries and distinctions; we inhabit a universe of structure. But since our universe of structure has evolved historically, it must present us with fuzzy boundaries, where one kind of thing grades into another.
When we talk about music, we tend to place our experiences into one of two categories: making the music and listening to it. Delineating the two seems practical and obvious. In reality, though, there are a lot of opportunities for overlap, and it doesn't matter how you get into the music as long as you connect with it.
I had always had an affinity for series in literature, and I thought it would be really cool to incorporate what I loved about books into the story of music, to pile it together.
There's this kind of dialogue between African music and dance music, especially Moroccan stuff, because it's kind of ceremonial and has built-in repetition.
The difference between the most dissimilar characters, between a philosopher and a common street porter, for example, seems to arise not so much from nature, as from habit, custom, and education.
I think there's a difference between the type of folk music that people put into the box of "folk music" and then there's the kind of folk music that I aspire to and am in awe of, and that is the kind of folk music where it's very limited tools - in most cases a guitar, in a self-taught style that is idiosyncratic and particular to that musician.
I've got my interests and my life experiences as I'm putting lyrics together. And if you start looking at patterns, you start thinking, 'Well, what am I really singing about here?' A lot of it seems to be a battle for some freedom against oppressive forces. That seems to be a theme in a lot of the albums I've done.
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