A Quote by D. B. Weiss

I went through a big Kurt Vonnegut phase. But the writers who made me decide at a very early age that this is probably something I wanted to do were Stephen King and Douglas Adams, when I was probably, like, ten years old.
David Wong is like a mash-up of Douglas Adams and Stephen King . . . ‘page-turner’ is an understatement.
Whatever our bedtime was as kids, we could stay up an extra half hour if we were reading. My parents didn't care as long as I was under the spell of a Stephen King or a Douglas Adams. Now I read in bed. I read at work. I read standing in line. It's like, 'Hello, my name is Nathan and I am a reader.'
It wasn't until I was in my teens that I started admiring writers as inspirations for my own work, and my earliest influences there were Stephen King, Marion Zimmer Bradley and Richard Adams.
In my early years, there were a number of experiences that made me decide I could not afford the luxury of just being an actress. There were a number of issues I wanted to address. And I wanted to use my career as a platform.
We have this habit of romanticizing the lives of writers. I remember when I was a kid, I was like, 'I want to be Kurt Vonnegut.'
Any writer my age almost can't get away from being influenced by Kurt Vonnegut, partially because of his simple, clear way of stating things. To read Vonnegut is to learn how to use economy words.
Stephen King reached out to me twenty-five years ago and taught me some valuable lessons. In return, I've tried to be generous with my time over the years with young writers. I've given them my email and said if you need someone to talk to, I've been through it.
[Kurt] Vonnegut was a writer whose great gift was that he always seemed to be talking directly to you. He wasn't writing, he wasn't showing off, he was just telling you, nobody else, what it was like, what it was all about. That intimacy made him beloved. We can admire the art of John Updike or Philip Roth, but we love Vonnegut.
By the time I got to college I had stopped reading books because I wanted to "be cool" and started reading books simply because I wanted to read them. I discovered heroes like Roth, King, Dahl, Shirley Jackson, Patricia Highsmith, TC Boyle, Douglas Adams, Neil Gaiman, David Sedaris. These people weren't trying to "rebel against the literary establishment." They were trying to write great, high-quality books that were as entertaining and moving as possible.
I started playing guitar at the age of 8 or 9 years. Very early, and I was like already into pop music and was just trying to copy what I heard on the radio. And at a very early age I started experimenting with old tape recorders from my parents. I was 11 or 12 at that time and then when I was like 14 or 15 I had a punk band. I made all the classic rock musician's evolutions and then in the early nineties I bought my first sampler and that is how I got into electronic music, because I was able to produce it on my own. That was quite a relief.
I remember Stephen King did a fundraiser one time with J.K. Rowling and he was very impressed with her. But we talk a lot about publishing, bookselling, and book writing. He's been around for ten years longer than me and was a bestseller right off the bat. And he's seen and done everything. It's rare to be with somebody who has been through all of that.
Stephen King in many respects is a wonderful writer. He has made a contribution. People in the future will be able to pick up Stephen King's books and learn a lot about who we were by reading those books.
I read Stephen King as a junior high schooler. My father introduced me to Stephen King far too young, which I'm very grateful for now.
I ran into Stephen King once in New York a few years ago and outside the Carlyle and he said, "You're in the pink." Which sounded so Stephen King. He's doing well I think after his accident and all of that, years and years ago.
Stephen King says that if you forget an idea, then it can't have been any good. He means he, not you. You are not Stephen King. Do not attempt to emulate Stephen King at home.
For us the Dresden Dolls were porcelain dolls that were made in that city at the time, that is what they were to us, and also a reference in Slaughterhouse 5 by Kurt Vonnegut, and in a song by The Fall.
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