A Quote by Deborah Reber
I think it can be incredibly powerful for a teen to be able to put their story out there for others to soak in, learn from, relate to. In some ways, it validates their experience, which for teens (or for anybody, really) is a pretty huge deal.
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Teen readers can see aspects of themselves in the teen authors, which in a way, validates their experiences.
TV and film taught me to think cinematically. Teaching others to edit, for example, provides a great deal of insight into the millions of ways in which given elements can be put together to tell a story.
I think a lot of us who had these oddly shaped childhoods, in some ways we're hyper-capable. We're able to take care of ourselves in a lot of ways but it's like we're missing a piece. When everyone went to school to learn how to be a regular person we were sick that day. We compensate other ways. Alcohol and drugs is one of those ways. Instead of learning how to cope with our problems and deal with hardship and deal with anger, we just decide to get drunk and not care.
I'd worked on a series of Chicken Soup for the Teenage Soul books called The Real Deal for HCI books, which featured essays and poems from teens.Finding the right authors for the series has been no easy feat, mostly because I'm looking for a perfect blend of a teen girl with an interesting story or hook, fantastic writing talent, and the confidence to commit to writing a 30,000+ word book in a matter of months. It's a huge commitment and I recognize that, so the fit has to be there from all these different angles.
I put an octopus in aquarium, and it would eat the others. But if you put an octopus in with a school of tiny fish, he might not be able to catch them. That's an archetypal structure: a powerful individual versus the multitude, the crowd. You can relate to that.
I think you've got to be able to relate to what teens are going through.
Boxing Helena was something that I think was pretty cool, but people judged it without even having seen it. It's not perfect, but I think for the story that we were trying to tell, it turned out pretty good. What it signified was really powerful to me: how society puts us in boxes one way or another.
We need to learn and to show others that there are tried and tested, powerful ways of containing and resolving conflict which do not require the use of force.
You can go out and find ways to make your own record and get it out there now. If you really want to, you can be heard. Keep things simple. Learn to go out and play solo. That's a really really good thing to learn, if you're a singer-songwriter. Don't be dependent on a band because you may not always be able to afford one.
To me to be a storyteller is you got to be able to speak the truth. You've got to be able to absorb life and take in life and be able to interpret it in a way that anybody in this room could say, "Man, that's my story. I can relate to that."
When we desire to be a blessing, we find that there are many ways in which we can bless others. We can give material goods to others, and we can also offer them the benefit of our experience. People who have faced and overcome challenges with alcohol and drugs often involve themselves in helping others who are experiencing similar difficulties. They understand the value of overcoming the problem. In every area of the human experience, we may find those precious ones who are able and willing to be a blessing to others.
While the storytelling in games is getting so much better, you look at something like Grand Theft Auto V, which I thought was really beautifully written, it doesn't really need a movie because it is a movie. So I think you need a unique game - you either need an incredibly talented writer and director to come in and put together an amazing vision, or you need a game like Metal Gear, which is very cinematic, has a huge amount of history behind it, but whose cinematic experience is very different from what you'd get in a theater.
Certain things you learn through exposure. It's really the elements which make up any artist. You really learn by example. You learn by influence. And some people have a huge impact on you, and that's how you become the artist you are.
I was recruited by Pepsi and put out in Pittsburgh, and I worked in the bottling lines, and then I was sent on to Phoenix, Arizona, where I also drove trucks and I put up signs, Pepsi signage, and I was then sent on to Las Vegas for a month of training, and then I finally ended up in Milwaukee. So I got a really hands - on introduction to the soft-drink industry. I was so appreciative of the fact that I was able to not only learn a business through what I learned at business school, but I was able to learn it with hands-on learning. I'm a huge believer in hands-on learning.
It would be really nice to be able to put out releases that wouldn't be conditional upon an album format, and just put out music in different ways.
If one has to conform to a certain taste, he/she might lose his/her own individuality and imagination. But if you don't really care about winning competitions and think of them as chances to learn from the experience, they would become good ways to learn about others and yourself. Competitions are also stages where one becomes known to the public.
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