A Quote by Debra Wilson

My family is very theatrical. — © Debra Wilson
My family is very theatrical.
Every film may not be appropriate for a theatrical release, and the theatrical business is not a very good business for anybody except the distributor.
I am in the theatrical profession myself, my wife is in the theatrical profession, my children are in the theatrical profession.I had a dog that lived and died in it from a puppy; and my chaise-pony goes on, in Timour the Tartar.
When I was little, I put on plays for my family at Sunday dinner, and I would direct them and have all my cousins, my brother, and my best friends in it. I was a very imaginative and theatrical child and wasn't afraid of being in front of a camera. It was like make-believe to me.
My appearances are almost theatrical performances. I bring items for the children to see, such as photographs and actual piece of meteorite, a family quilt, sometimes spectacles, sometimes clothing, so that they can understand what I write about is family stories based in fact.
It ultimately becomes an asset to be part of a theatrical family if, indeed, you're good at what you do.
My dad's family were political and he was always a theatrical creature, whereas my mum is really musical and her father was the touring pianist with Nat King Cole. My family was an explosive mixture of politics, religion and music - no wonder I turned out how I did.
I had family who exposed me to all sorts of different media involving actors - films, theatrical productions touring through Boston. My grandparents, particularly my mother's parents, were huge fans of all the arts, and they took me to these shows and exhibits at a very young age, so I was just immersed in it.
For me, theater will always be very, very much alive, but not necessarily in the theatrical tradition.
I have a very good family. I'm very fortunate to have a very good family. I believe very strongly in the family. It's one of the things we have in our platform, is to talk about it.
I'm in a very close-knit, very, very tight family. My grandmother had 13 kids, so we had a lot of family like 50, 60 grandchildren and we all lived in Jersey, relatively in the same area. So every time there was something, my entire family was there. And I just believed everybody's family was like that.
Rembrandt was way ahead of his time. It's as if he was painting an amateur theatrical, or a professional theatrical, in his studio. It's a kind of performance.
For early plays of mine, I started with character. But I think that's because I hadn't been in theaters; I hadn't worked that much. I'm very interested in character, obviously, but once I started having my plays produced, I became so fascinated by the theatrical experiment and the weirdness of theatrical space, so now all my plays start with space and stage picture and setting - or container is maybe the better way to put it.
What I said was that Joe's family was different than my family, that he came from a very affectionate family. My family was very loving, but we didn't show that kind of affection. So for me, that took me a little while to get used to that.
Love and this close-knit family structure really helped to give me the confidence. To know that you have family to go back to is a help. It doesn't always happen biologically. Sometimes God gives you family in other forms, but I was very blessed. I have a very strong biological family.
When I started, every film got a full theatrical distribution. Today, almost no low budget films, maybe two or three a year, will get a full theatrical distribution. We've been frozen out of that, which means they must be aware that for a full theatrical distribution it either has to be something like Saw or some exploitation film of today or an extremely well made personal film.
I wanted to build a family very strongly because I lost my family when I was 15, 14, and I missed the family unit very much.
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