A Quote by Deep Roy

I picked 'It's Not Unusual,' and then I did the little hop that Tom Jones does and moved my hips. Tim loved it. He came up to me and said, 'Did you know that I used Tom Jones in 'Edward Scissorhands'?'
I was leaving the hotel to get to the fight when my phone went and someone said 'Hello Ricky, it's Tom'. I said 'Tom who?' and when he said 'Tom Jones' I told him to eff off! I thought it was a wind-up!
Tom Jones told me only a few singers have got the pipes, and he's right. He has. Sinatra did. I have.
I'm not really too worried about the mystique of Jon Jones. Because I know Jon Jones' core. I remember when Jon Jones used to come up to me and say, 'Hey man, what's it like when everybody wants to take pictures with you?' So I know Jon Jones.
People are going to take shots at you for everything you did bad, and they forget about all the good things you did. They do it to everyone. They're going to do it to me, they've done it to all of them. They did it to Tom Landry. Are you kidding me? Tom Landry? With the fedora? Come on. They did it to Tom Landry.
Once, when Tom was over here, to tease Rose, I asked him, "Before she was born, can you remember? Were things just the same as they are these days? Did it still rain and get dark and all the stuff it does now? Did the sun go up and down in exactly the same way?" Yes," Tom said, and then he smiled at Rose and said, "No. Not really. Not exactly the same way.
I met Elvis first in Las Vegas. I think I was appearing with Tom Jones and he came backstage to say hello to Tom or we went to his dressing room to say hello.
The first time I did 'The Voice,' I was honestly terrified. You're with Tom Jones and Will.i.am, seriously mega-talented people, and I felt like I was winging it. Then you realise everyone is in it together.
He's managed to make himself something highly unusual for a man at this stage of his career: unclassifiable. Unpredictable. Tom Jones is no joke
I have never been able to understand the compelling phrase, 'keeping up with the Joneses.' It does not matter very much whether I keep up with Tom Jones or anybody else; what is important is to keep up with myself by making my today a little better than my yesterday.
'Doc, I can't stop singing the green green grass of home. 'That sounds like Tom Jones syndrome'. 'Is it common?' 'It's not unusual.'
I came in on this movie after there had been a director and I came in after Tom Courtenay had talked to Ron Harwood about making a movie. So, you know Tom and Albert Finney had been friends since the beginning of their career as they became stars around the same time - Tom always reminds me that Albert was first with Saturday Night and Sunday Morning and then Tom with The Long Distance Runner.
Things began to pick up for me record-wise when in 1971 I wrote 'She's a Lady' for Tom Jones.
Truth is, we offered it to Tom Hanks, which pretty much every movie in America does, but Tom passed. Billy Bob said that Hanks recently called and said he's voting for all of us for Oscars, he loved the film.
I wrote 'She's a Lady' on the back of a TWA menu, flying back from London after doing Tom Jones's TV show. Jones's manager wanted me to write him a song. If I have an idea and I don't have a pad of paper, I'll write on whatever is available. What's the difference? Paper is paper.
I always approach every play based on the cast. When Denzel and I did 'Fences,' I didn't go to rehearsals and say, 'OK, James Earl Jones did a wonderful job in '87. Let me see if you can come close to James Earl Jones.'
Dustin Hoffman and Tom Cruise were both so generous to me on the Rain Man set. I remember Tom was in the trailer when I said to the makeup guy, "You know, I would really like to not wear any makeup. I just have this feeling that she wouldn't have any." And Tom said, "Yeah, that's cool!"
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