A Quote by Denise Levertov

Let me walk through the fields of paper touching with my wand dry stems and stunted butterflies. — © Denise Levertov
Let me walk through the fields of paper touching with my wand dry stems and stunted butterflies.
Taxi September along Jessore Road Oxcart skeletons drag charcoal load past watery fields thru rain flood ruts Dung cakes on treetrunks, plastic-roof huts Wet processions Families walk Stunted boys big heads don't talk Look bony skulls & silent round eyes Starving black angels in human disguise.
Let me offer you, metaphorically, two magic wands that have sweeping powers to change society. With one wand you could wipe out all racism and discrimination from the hearts and minds of white America. The other wand you could wave across the ghettoes and barrios of America and infuse the inhabitants with Japanese or Jewish values, respect for learning, and ambition. ... I suggest that the best wand for society and for those who live in the ghettoes and barrios would be the second wand.
Winter sunshine is a fairy wand touching everything with a strange magic. It is like the smile of a friend in time of sorrow.
The rattle of plastic keys reminds me of a squadron of butterflies failing to fight their way out of a paper bag.
When you walk through the storm, hold your head high And don't be afraid of the dark! At the end of the storm is a golden sky And the sweet song of the lark. Walk on through the wind Walk on through the rain Though your dreams be tossed & blown Walk on, walk on, with hope in your heart And you'll never walk alone!
I remember every wand I’ve ever sold, Mr. Potter. Every single wand. It so happens that the phoenix whose tail feather is in your wand, gave another feather — just one other. It is very curious indeed that you should be destined for this wand when its brother — why, its brother gave you that scar.
Meanwhile someone is shining my head to get it dry to attach my top-hat to my head with toupee tape. I get into microphone and get back up into my dressing room for the rest of my costume. I get snapped into all these things and layers and bundled up. I walk downstairs to the pit. Someone hands me my baton (which lights up like a wand) and I watch the first three minutes of the show. Then I come up out of the pit and there I am.
Adding wings to caterpillars does not create butterflies. It creates awkward and dysfunctional caterpillars. Butterflies are created through transformation.
You may change your profile picture to Trayvon Martin or Eric Garner, but you will never actually walk the streets the way they have, or systematically had your vertebrae stunted. So you will not walk that shrouded walk unless you're on the inside and you can occasionally nod at another on the inside and that acknowledgement can carry you for a while as it won't come from the outside.
If I wash my hair in the morning, then I usually air-dry it. In warmer weather, if I walk my dog, by the time I am back in, it is usually nice and dry!
Basically, morphic fields are fields of habit, and they've been set up through habits of thought, through habits of activity, and through habits of speech. Most of our culture is habitual.
Rag paper, containing hemp fiber, is the highest quality and longest lasting paper ever made. It can be torn when wet, but returns to its full strength when dry.
I like "Rock, Paper, Scissors Two-Thirds." You know. "Rock breaks scissors." "These scissors are bent. They're destroyed. I can't cut stuff. So I lose." "Scissors cuts paper." "These are strips. This is not even paper. It's gonna take me forever to put this back together." "Paper covers rock." "Rock is fine. No structural damage to rock. Rock can break through paper at any point. Just say the word. Paper sucks." There should be "Rock, Dynamite with a Cutable Wick, Scissors."
A breeze blows up, touching my cheek like a little child's kiss. It flutters a piece of paper. "Trash, out there? Must belong to one of us." We move closer, and when I reached for it, I find...... a perfect paper airplane.
Art class was like a religious ceremony to me. I would wash my hands carefully before touching paper or pencils. The instruments of work were sacred objects to me.
Pretty much everything I carry with me, I learned I needed the hard way. I sweated, dry-lipped, dry-mouthed, soaked-to-the-skinned my way through all of these lessons.
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