A Quote by Deniz Gamze Erguven

It wouldn't have existed without France, and it's a French initiative. As a filmmaker, I owe everything to France - I got accepted at a French film school that takes six directors a year. Once you're in, you make films under the eye of people in the industry. You grow up in front of their eyes.
I consider myself a 'local' actor in France. I started out in France, I went to drama school in France and the French film community was very welcoming to me when I was a young actress.
I don't want to mess with my face. So I'm becoming fluent in French so I can go to France and make French films when I'm 60.
I taught a master class in film in France, and that was a great experience because I got a chance to study the French film culture and the French film history, so to add... just to expand myself just personally and professionally was really helpful.
We need French chaplains and imams, French-speaking, who learn French, who love France. And who adhere to its values. And also French financing.
It's very important to say that French doesn't belong to France and to French people. Now you have very wonderful poets and writers in French who are not French or Algerian - who are from Senegal, from Haiti, from Canada, a lot of parts of the world.
I took an estimated two thousand years of high school French, and when I finally got to France, I discovered that I didn't know one single phrase that was actually useful in a real-life French situation.
My initial plan was to spend a year in France, go to some kind of school and learn a bit of French. I went a year in an American college in the outskirts of Strasbourg, but got a glimpse of a real art school, L'Ecole des Arts Decoratifs, and enrolled the following year.
Soon after Donald Trump was inaugurated, I got a letter from France's interior ministry informing me that I was now French. By the time it arrived, I'd been French for nearly two weeks without even knowing it.
We spoke French at home and I didn't know any English until I went to school. My mother was French and met my father when he visited France as a student on a teaching placement.
The French are pretty thin-skinned. The few times I mentioned a French writer in 'City Boy,' the relatives would ring up in high dudgeon. I once wrote a mocking review of Marguerite Duras in the 'New York Review of Books,' and good friends of mine in France got very angry.
In France, they make you feel that you cannot be two things at the same time. You can't be French and Arabic; you can't be French and Muslim.
I grew up in France, my first language was French, and I tend to gravitate towards French cooking.
I just love France, I love French people, I love the French language, I love French food. I love their mentality. I just feel like it's me. I'm very French.
I live in New York now, and miss France quite a bit. Of course, the reality of living in a small village in the south of France was very different than the fantasy I had of living in France. Over the years I spent there, that fantasy was worn away and I found a more realistic version of France than the one I began with. I wouldn't say the spell ever goes away, but transforms. Now that I understand French culture more intimately, and speak fluent French, I have a different, more solid, relationship to the country.
My dad's French, and I spent my summers in France growing up. So I speak French fluently, and obviously, I speak English because I was raised in New York, and I grew up here.
The French movies that are promoted abroad are the ones that give a trendy, cultural, petit bourgeois, upper class image of France, but it's true that people who are poor in France are the same in New York or in India.
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