A Quote by Dennis Farina

Everybody wants to look in the mirror and see Cary Grant looking back at them, but that's just not the case. — © Dennis Farina
Everybody wants to look in the mirror and see Cary Grant looking back at them, but that's just not the case.
I know people who go back and check themselves, but it drives me crazy. Everybody wants to look in the mirror and see Cary Grant looking back at them, but that's just not the case.
Everyone wants to be Cary Grant. Even I want to be Cary Grant.
Everyone wants to be Cary Grant. Even I want to be Cary Grant. Let me expand a bit. I sense that you may feel that I am free of problems. Let me assure you that I have the same anxieties and insecurities as anyone in this auditorium - maybe more.
You can see yourself in the mirror. You can see how you want your body to move. Everybody wants to look sexy when they're dancing, so that mirror will be, you know, that reflection of yourself of how you will look in the club, so definitely use the mirror at home.
No man is charming all of the time. Even Cary Grant is on record saying he wished he could be Cary Grant.
Cary Grant was on the back lot one time doing a movie called "North by Northwest." I would see Cary outside the stage, and he would sit on a set chair and had one of those reflectors. He wanted this tan so he didn't have to use makeup.
I acted like Cary Grant for so long that I became Cary Grant
The best change you can make is to hold up a mirror so that people can look into it and change themselves. That's the only way a person can be changed." By looking into yourself," Zia said. "Even if you have to look into a mirror that's outside yourself to do it." "And you know," Maida added. "That mirror can be a story you hear, or just someone else's eyes. Anything that reflects back so you can see yourself in it.
In 'Charade,' there was a big fight. George Kennedy was playing one of his first big heavy roles; he had a hook for a hand, and he was real ugly. Cary Grant was Cary Grant. They were on a slanted roof, a very exciting fight, and we agreed there shouldn't be any music, just the grunts and the action.
I did a little movie called 'Touch of Pink,' where I played a Cary Grant-type guy, which I thought was a lot of fun, and I thought I was moderately successful in my own interpretation of Cary Grant.
If you look at movies with Cary Grant or Jimmy Stewart and all the rest of it, none of them looks like a boy. They always looked like mature men. The audience didn't want to go and see kids.
Howard Hawks said he'd like to put me in a film with Cary Grant or Humphrey Bogart. I thought, "Cary Grant-terrific! Humphrey Bogart-yucch."
'North by Northwest' took two and a half to three months to film. When I look back, I realise I wasn't intimidated by Hitchcock and Cary Grant. They were so accepting of me.
I think the biggest mistake - I was always a big fan of Cary Grant, and he asked me to do a movie with him, playing the second lead, and I didn't do it. And to this day, I can't remember why. But I could've said I worked with Cary Grant, but I turned him down. That was probably the biggest mistake I ever made.
When I knew I was pregnant four years ago with a boy, a friend suggested I call him Cary, but I initially resisted. There was only one Cary Grant. But a week before he was due, I started thinking it would be wonderful to pass the name on to him. And anyway, my father wasn't Cary to me. He was Dad.
When I look in the mirror, I don't see my Dad, I see my grandmother. For a while it was my mother looking back at me. If only it was my Dad.
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