A Quote by Dennis Quaid
I don't know if I'd want to be a Secret Service agent. In the movies, it's exciting and romantic and all that. Really, most of their job is standing in a hallway for 12 hours making sure somebody doesn't come through a doorway off of a stairwell.
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You never want an Australian with his back against the wall. You put any 12 blokes together and you'll get a job done. Whether it's getting a bogged four-wheel-drive off the beach or standing in front of a cricket wicket and making sure we're in a dominant position. It's the same dog, different leg action, so to speak.
I know it may come off cheesy, but if somebody's going to invest hundreds of thousands of dollars, even more into you, you want to make sure you can return that; you want to make sure they feel good about their investment.
Often the doorway to success is entered through the hallway of failure.
Every time you walk through a doorway today, whether at work or at home, know that on the inner planes you are walking through a doorway to heaven. An that is every doorway, as long as you recognise this in your consciousness.
The challenge is what was making it exciting. You don't want to do anything that's too easy or that you know that you can pull off, otherwise it's really not worth doing.
Because we've always done it that way.' During my 12-year tenure as a special agent with the U.S. Secret Service, I heard those words all too often. The agency, in my experience, has an entrenched management culture resistant to change.
The writer is a person who is standing apart, like the cheese in 'The Farmer in the Dell' standing there alone but deciding to take a few notes. You’re outside, but you can see things up close through your binoculars. Your job is to present clearly your viewpoint, your line of vision. Your job is to see people as they really are, and to do this, you have to know who you are in the most compassionate possible sense. Then you can recognize others.
My priorities are really about creating balance in my home, making sure that I have enough time with my kids, making sure that I have the time to do the things that I want to do with my career, and to continue to make movies.
Most of the time, particularly with this record, 'The Light of the Sun,' I really just been standing in front of a microphone and blacking out musically, you know. I'd come back a couple hours later and there's six songs from beginning to end, you know? I don't know what I'm going to say. I don't know how I'm going to say it.
I don't like James Bond. They made him a super hero, but he is just an agent, a human being. In my movies, secret agents are more realistic, I didn't want to portray them in the most glowing colours.
While I was in jail, they handcuffed me and took me to a backroom, where a detective from the FBI and a Secret Service agent were, and they interrogated me for about three or four hours.
I believe this: If an actor wants a role or wants to work with somebody, then you do everything within reason to try to get that role. If they want you to audition, you audition. If they want you to screen-test, you screen-test. If they want you to come and tap-dance in their hallway, you tap-dance in their hallway.
I am definitely romantic, and I love romantic stories - that's why I keep making romantic movies.
The 'Sports Illustrated' cover was the last thing I shot. That week, I told my agent, 'You know what, I really... I don't want to be a model anymore. I really want to do movies.' And I think he wanted to wring my neck at the moment.
Most actors have to sit by the phone and wait for somebody to call them up to audition and stuff. I don't think I can exist in Hollywood just on that. I think I need to be proactive and making sure that things I really want to do are being developed to the point where somebody wants to make them?
[My kids] complained about Secret Service as they became teenagers, and Secret Service has done the very best job they could accommodating them, so it hasn't restricted any of their activities.
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