A Quote by Denny Laine

The Moody Blues was very big in France, because they liked that we were basically playing blues. — © Denny Laine
The Moody Blues was very big in France, because they liked that we were basically playing blues.
When I came to The Moody Blues, we were a rhythm and blues band. I was lousy at rhythm and blues - I think the rest of us were.
There are happy blues, sad blues, lonesome blues, red-hot blues, mad blues, and loving blues. Blues is a testimony to the fullness of life.
The Moody Blues were a blues band, so when we got discovered, we were taken to London. That's where we started to make it. That's where the record labels were. That's where the action was.
My early influences were the Shadows, who were an English instrumental band. They basically got me into playing and later on I got into blues and jazz players. I liked Clapton when he was with John Mayall. I really liked that period.
I have heartaches, I have blues. No matter what you got, the blues is there. 'Cause that's all I know - the blues. And I can sing the blues so deep until you can have this room full of money and I can give you the blues.
I think that the blues is in everything, so it's not possible to neglect it. You hear somebody go 'Ooh ooh oooh,' and that's the blues. You hear a rock n' roll song. That's the blues. Somebody playing a guitar solo? They're playing the blues.
There's no way in the world I can feel the same blues the way I used to. When I play in Chicago, I'm playing up-to-date, not the blues I was born with. People should hear the pure blues - the blues we used to have when we had no money.
I was part of that whole early Moody Blues transitioning from a sort of R&B-blues band to being more progressive.
Theres no way in the world I can feel the same blues the way I used to. When I play in Chicago, Im playing up-to-date, not the blues I was born with. People should hear the pure blues - the blues we used to have when we had no money.
I'm a big, big blues fan and the last several years I've really invested in the blues a lot, and I think my playing is getting better because of it - not necessarily better on a technical level, but certainly on a level of appropriateness.
See, I have a different type of music from other peoples. They playing the other kind of blues, and I'm playing cotton-patch blues.... Ain't nobody now can play the blues that I play.
I don't remember any impression [from blues].The blues was just everywhere in the Mississippi Delta. It was mostly black sharecroppers living there, and there was a lot of blues around. Sometimes the guys would sing the blues in the fields, working.
Charlie Patton, who was born in 1891, recorded some of the very first blues. In 'Pony Blues' and 'Peavine Blues,' he manages to pile dense layers of rhythms one upon the other.
I began writing with Mike Pinder and eventually we went on to form a new band called The M&B, which later became The Moody Blues, what I would call a progressive blues band.
I tend to play a lot of blues things at home, because most blues things are basically within a 12-bar pattern.
I was living and working with adult men who were playing a real art form. And I had been playing blues all my life. As soon as I formed my first band, we played Jimmy Reed stuff. So it wasn't like I was a white kid who was learning the blues from B.B. King records.
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