There's not a comedy actor who doesn't want a chance to do drama, and vice versa. As actors, we're always looking to be pushed and to do the other side of the coin.
What is good for you is not necessarily good for the company, and vice versa.
I think writing and reading are completely synergistic; not necessarily in that one has to be a good reader to be a good writer or vice versa, but that they so inform each other.
The director is as good as the actor and vice versa.
Every good mathematician should also be a good chess player and vice versa.
I'm a big believer in comedy writers. I've always defended the honor of all comedy writers. It's extremely difficult, but I've always felt that comedy writers far more easily can move toward drama than vice versa.
Most of the time, my favorite drama has comedy in it as well. I think most good dramas have comedy in there. And all of the dramatic actors I look up to are also very funny.
I always just like to do good stuff, and I'm very, very lucky that I do almost everything. I do theatre, radio, TV, film, and also comedy and drama as well.
Good pitching will always stop good hitting and vice-versa.
Having a good director is very important. It's crucial. When you do good work with a certain director, you want to work with them again, and hopefully vice versa.
It's hard enough to write a good drama, it's much harder to write a good comedy, and it's hardest of all to write a drama with comedy. Which is what life is.
The world doesn't grieve when you're grieving. The world goes on about its business. You're having a good day and I'm having a bad one and vice versa. And they could be very good and very bad at the same time. You multiply that by seven billion and you have one element of human experience.
Comedy is more difficult than drama. I think it's really difficult to make someone laugh because people have very different comedic sensibilities. In drama, you can get away with being a great actor and surrounded by great actors and having good writing. But in comedy you have to listen and you have to perform with a certain rhythm, because if you don't, it's like playing a wrong note in the orchestra and you can hear the off key and it will fall flat and you won't get that instant response.
I love doing comedy. You don't get many good comedy scripts. They're rare. But, I do love playing comedy. Even in drama, I like to try to find the humor because I think it's very human.
Creating a world that reflects the inner voyage of our characters was really important. Also, because this isn't a black and white show, and this isn't about bad guys and good guys, but it's about good men being capable of bad things and vice versa, I wanted to be in a city that had contradiction.
So nothing is ever good or bad unless you think it so, and vice versa. All luck is good luck to the man who bears it with equanimity.