A Quote by Desmond Tutu

It was spine tingling, actually, when you saw how people kept saying, "Release Nelson Mandela," and meaning really, "Release all of our political prisoners." — © Desmond Tutu
It was spine tingling, actually, when you saw how people kept saying, "Release Nelson Mandela," and meaning really, "Release all of our political prisoners."
As far as those kinds of things, I also played at the concert to call for the release of Nelson Mandela when he was a political prisoner in South Africa. We were celebrating his 70th birthday and calling for his release.
Of course, Nelson Mandela, everybody knows Nelson Mandela. I mean, he's a great gift not only for Africa but for the whole world, actually. But do not expect everybody to be a Nelson Mandela.
In 1990 there were about 300 scripts being written demanding the release of Nelson Mandela. And suddenly we watched Mandela walking out of prison. So those scripts had to be destroyed.
I'm sure that those - well, I know for a fact that the prisoners, the political prisoners in the federal system, is asking [Barack Obama] for clemency or for some kind of release.
Both sides were supposed to release all their prisoners, those were unconditional. There was some prisoner release that took place but it's not been satisfactory.
My parents passed away when I was a teenager, so I had to learn different survival techniques, I think, in comedy. You know, using comedy as a pressure release, as a release valve in life really kept my sanity.
If we release our fixed ideas about how the world should appear, desires can simply fall away. Our attention is paid to releasing, not wanting to release.
Even here in America, we felt the cool, refreshing breeze of freedom when Nelson Mandela took the seat of Presidency in his country where formerly he was not even allowed to vote. We were enlarged by tears of pride as we saw Nelson Mandela's former prison guards invited, courteously, by him to watch from the front rows his inauguration.
As an artist, to release music is what you look forward to. That's what everybody looks forward to when they sign a deal. It feels really good to know I'm actually working towards a release date.
When you record for a label, they own that material in perpetuity, meaning that they can release, chose not to release , or repackage it any way they so choose... with or without the permission of the artist.
Politicians as diverse as Nelson Mandela and Robert Mugabe have been quoted at our team meetings. That is how political England cricket tours have become.
You are not a helpless victim of your own thoughts, but rather a master of your mind. What do you need to let go of? Take a deep breath, relax, and say to yourself, 'I am willing to let go. I release. I let go. I release all tension. I release all fear. I release all anger. I release all guilt. I release all sadness. I let go of all old limitations. I let go, and I am at peace. I am at peace with myself. I am at peace with the process of life. I am safe.'
Even though it took forever to release a movie, and even though it's a small indie release, the fact that in five years someone will be skipping through Netflix, or Amazon, or whatever and say, "Wow, that was a really cool movie. That was a really great story. Or I was really creeped out, or intrigued by that." You almost kind of forget what it took to get there, or was it in the theaters or not. So that's kind of exciting as a filmmaker. That it doesn't really matter as much the release platform, as much as how can I see it?
I get really, really concerned when I see somebody, taking $600,000 in speaking fees from Goldman Sachs, will not release what they're actually saying. That's concerning.
When we shot "Cry Freedom," I wasn't even allowed in South Africa. They told me I could come but I wasn't going to leave. I had heavy death threats at that time. So we shot in Zimbabwe. In 1995, I had the privilege and the honor to meet Desmond Tutu and Nelson Mandela the same day: I had breakfast with Desmond Tutu and lunch with Nelson Mandela. Then I had the good fortune to have Mr. Mandela actually come to my house in California. There's been a tremendous amount of change.
When I started in the late 1950s, every film I made - no matter how low the budget - got a theatrical release. Today, less that 20-percent of our films get a theatrical release.
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