A Quote by Devdutt Pattanaik

I write on sacred stories, symbols and rituals of all cultures - European, American and Chinese - but my audiences, typically, like me to focus on India. — © Devdutt Pattanaik
I write on sacred stories, symbols and rituals of all cultures - European, American and Chinese - but my audiences, typically, like me to focus on India.
There's a reason why the cultures of so many Chinatowns around the world in some ways are more Chinese. They've held onto older Chinese rituals, traditions, and symbols in ways that, if you go back to China today, they're not holding on to. They're getting married in white dresses and in churches.
There are photographers who push for war because they make stories. They search for a Chinese who has a more Chinese are than the others and they end up finding one. They have him take a typically Chinese pose and surround him with chinoiseries. What have they captured on their film? A Chinese? Definitely not: the idea of the Chinese.
When I was writing stories about Chinese American characters in my fiction classes, I'd get comments like, 'You should consider writing more universal stories.' But anything can happen to a Chinese American girl - just as much of the canon of English literature involves white men or women.
I would rather know about different cultures, read about them, and understand them than just blindly follow their rituals. All cultures in India have their own logic.
I think Latin American cultures are really rich and fascinating. I like the pomp and circumstance of some of their rituals and ceremonies.
American audiences and European and Asian audiences are so different.
The Latin American has no tribe to fall back on, as the African does, no reliable judiciary to defend his rights as the European does, no social ideal or sacred constitution as the North American does, no pervasive mythology to soften life as it does in Asia, and no even an ideology to subscribe to, as does the Russian or Chinese. Without wealth, what is there left to him but his manhood, to be flaunted and defended at every occasion?
Medical training taught me the art of breaking down the complex maze of stories, symbols and rituals into clear systems. You could say that it helped me figure out the anatomy and physiology of mythology and its relevance in a society more incisively. How is it that no society can, or does, exist without them?
We did two films [Kung Fu Panda], because the first two films were so embraced by the Chinese audiences we wanted to make something we could push further and since this is a co-production, it seemed like the perfect time to create something that felt native to Chinese audiences.
Throughout human history, people have developed strong loyalties to traditions, rituals, and symbols. In the most effective organizations, they are not only respected but celebrated. It is no coincidence that the most highly admired corporations are also among the most profitable. Why? Because everyone involved is committed to certain non-negotiable core values. Traditions keep them alive. Rituals such as special occasions reaffirm them. Symbols serve as constant reminders of their enduring importance.
There is potential for more Chinese investment in India's infrastructure, and there are already Chinese investors in India's power and telecoms sector as well as the banking and payments space.
Among archetypal images, the Sacred Tree is one of the most widely know symbols on Earth. There are few cultures in which the Sacred Tree does not figure: as an image of the cosmos, as a dwelling place of gods or spirits, as a medium of prophecy and knowledge, and as an agent of metamorphoses when the tree is transformed into human or divine form or when it bears a divine or human image as its fruit or flowers.
[Chicago] is the greatest and most typically American of all cities. New York is bigger and more spectacular and can outmatch it in other superlatives, but it is a "world" city, more European in some respects than American.
Incidentally, I am intrigued by how many European and Latin American writers expressed their political views in the columns they routinely wrote or write in the popular press, like Saramago, Vargas Llosa, and Eco. This strikes me as one way of avoiding opinionated fiction, and allowing your imagination a broader latitude. Similarly, fiction writers from places like India and Pakistan are commonly expected to provide primers to their country's histories and present-day conflicts. But we haven't had that tradition in Anglo-America.
Chinese players are not as naturally skilled like South American or European players, like players who learned football when they were kids. They're not good.
All cultures have had means and techniques of expressing their immediate aims - the Chinese, the Renaissance, all cultures. The thing that interests me is that today painters do not have to go to a subject matter outside of themselves.
This site uses cookies to ensure you get the best experience. More info...
Got it!