A Quote by Diana Quick
I walked across Tuscany from Siena to Rome, which was a lovely way to see the landscape. It was sunny but not too hot, and we made detours to look at treasures - churches, paintings, little hill villages. The first couple of days, you feel your knees are turning to jelly. But, at the end, you feel very limber. I hope I can always do it.
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I think control is the wrong word. I would put it this way. You see a lovely girl across a crowded room and you walk toward her with hope in your mind. That's the way [my] pictures are made.
Life with you was lovely—and when I say lovely, I mean doves and lilies, and velvet, and that soft pink ‘v’ in the middle and the way your tongue curved up to the long, lingering ‘l.’ Our life together was alliterative, and when I think of all the little things which will die, now that we cannot share them, I feel as if we were dead too.
Describing some kinds of feelings comes across as too excessive in the first person. If you put it in the third person, you're taking a little bit of a distance, and that way it becomes more apprehensible to a viewer. You're always riding this fine line of risking saying too much, do you know what I mean? When you feel you're in that area, if you shift the address a little bit it can alter it.
I feel also that the rhythm of a production is made by the lighting. If it feels like it's too long and too slow, it may well be because the light is changing in a way that makes the audience feel that way. Definitely I feel that light and music are very closely related.
There are days when I feel tom-boyish, so I would wear track pants and chunky sneakers. There are days when I feel a little bit more feminine or androgynous. Some days I want to look chic.
The reality is that there are half a billion kids in India, in villages, who have a pre-determined life. If they're very lucky and they're a gifted athlete, maybe they can compete for the Olympics, or maybe they can get into the military. But if you're not a gifted athlete, then you're going to end up working for your family and you're going to perpetuate what your family is. It's gotten to the point, in villages, where there's no hope. And the first spark of hope is when you ask yourself the question,"What gift did God give me that I can develop and use to better my life?"
Because if one has an image, however dim and romantic, of a journey's end, one may, in the end, surely reach it, after no matter how many detours and deceptions and abandonings of hope. And hope could never have been entirely abandoned, even in the worst days.
Obviously there's something very seductive about movies, which can be attractive in a bad way if you're doing them for the wrong reasons — for money, or for fame. I hope I won't ever do that. I don't feel at home in L.A., I feel like I'm on holiday. It's nice to dip your feet in occasionally, but I think it's probably quite unhealthy to spend too much time there at once.
We stand, when we are young, on the sunny slope among the pines, and look across an unknown country to the mountains. There are clouds, but they are edged with light. We do not fear as we dip into the valley; we do not fear the clouds. Thank God for the splendid fearlessness of youth. And as for older travelers whom the Lord has led over the hill and the dale, they have not been given the spirit of fear. They think of the way they have come since they stood on that bright hillside, and their word is always this: There are reasons and reasons for hope and for happiness, and never one for fear.
I've done drives through Budapest and Oslo and used to drive to Sardinia, too, which is quite a journey. Drives are an adventure because I don't plan them too carefully. I take detours depending on how I feel and usually stop and stay at places I like the look of.
Idiots are very very clear - clear in the sense that they do not have the intelligence to feel confusion. To feel confusion needs great intelligence. Only the intelligent ones feel confusion; otherwise the mediocres go on moving in life, smiling, laughing, accumulating money, struggling for more power and fame. If you see them you will feel a little jealous; they look so confident, they even look happy.
We look so very different from the way we sound. It’s a shock, similar to hearing your own voice for the first time, when you’re forced to wonder how the rest of you comes across if you sound nothing like the way you think you sound. You feel dislodged from the old shoe of yourself.
I hope, my career is never predictable. And my interests are diverse in that way. I feel very lucky that when I'm burnt out of acting I take to the pen and I write something I want to direct. And then when I'm tired of taking on too much responsibility as a director I then look for an acting gig. And I've made it very clear that I'm interested in voiceover work. I mean, I'm always looking for voiceover gigs. I love that.
I have no way of knowing what you are going to feel when you look at one of my paintings; I only know what I feel.
Home is not fixed - the feeling of home changes as you change. There are places that used to feel like home that don't feel like home anymore. Like, I would go back to Rome to see my parents, and I would feel at home then. But if my parents were not in Rome, which is my city where I was born, I would not feel at home. It's connected to people. It's connected to a person I love.
This has been a great experience for me. The first couple of days you don't always feel too well. You adjust to the fluid shifting, how to fly through space without hitting things or anybody else. But then you get in a groove.
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