A Quote by Diana Silvers

I played tennis. My older brother, Joseph, was a cello player, and I played the cello, but he was better than me at the cello, and he was also a better tennis player than me, so I was always like, 'I wish there was something that only I did!'
I guess I'm interested in pushing the boundaries of the cello without giving up on the idea of playing the cello, if that makes any sense. I have no real interest in putting the cello through different effects to make it sound like a guitar or other instruments.
I'd studied piano first and switched over to cello when I was about seven. I played mostly chamber and solo classical music. I got really involved with rock music when I was a teenager. I wired up my cello.
I started to play noise on my cello because I felt a deep personal connection to it. I mean, I still love all the beautiful sounds of the cello as much as anybody but it's only when I play certain sounds I know that the cello really presents who I am; not my emotions but who I am as a person.
As a kid, I wanted to be a pro tennis player. I was pretty good; at the tennis academies I attended, I always 'played up' against older age groups.
As a kid, I wanted to be a pro tennis player. I was pretty good; at the tennis academies I attended, I always played up against older age groups.
We wanted to make a powerful cello sound in order to show to the world the possibilities of the cello and to use it in a different way than the classical way they are used to. We wanted to play something exciting, something crazy, something to draw younger generations to this great instrument.
I was a rebel and I wanted to do something that nobody else did, and nobody else played the cello. Also, I was also a small kid and I liked the fact that it was big.
Melo has a chance to be a better player than me, for sure. I feel at the same age, he's better than me. In real time, I don't think he's better than me. But I'm the big brother so I'm always going to have that edge over him.
It started when I was eight years old. I first heard the cello on the radio, and I loved the sound. It was such a magical, beautiful sound. I dedicated my entire childhood to cello, practising like crazy.
If they had rankings in baseball, maybe I would have been able to do the math and figure out my chances of being a professional baseball player versus a tennis player. But that was the decision-maker for me, I just thought I was better in tennis.
The cello is a hero because of its register - its tenor voice. It is a masculine instrument, whereas the violin is feminine because of its soprano pitch. When the cello enters in the Dvorak Concerto, it is like a great orator.
I lost to a better player who played some courageous tennis and deserved to win.
People tend to eat through the cello. They tend to take out the things that make it beautifully cello-y sometimes.
People don't think of cello as a rock instrument, really, and we want people to know all the possibilities that the cello can offer.
I keep saying if I ever get a good amount of quiet time that I want to learn to play cello. It's a very warm instrument. The tone of the cello and the movement - I don't know what is; I love it so much.
The cello looks like a woman to me. And, you know, the curves. And so I am in a way, and it's funny to admit this, I am sexually attracted to the cello, the curves really get me. So as I watched him play, you know, Yo Yo Ma is sort of making love to a beautiful woman.
This site uses cookies to ensure you get the best experience. More info...
Got it!