A Quote by Diana Wynne Jones
This does make me very very careful, particularly in the second draft, to get it right, because you do feel that somebody in the future who may be extremely important for everybody, is going to have me behind them, and this is a responsibility, a huge one.
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I felt really lucky in that I've gotten to know some of my favorite artists; I get to tell them how important they are to me. But that doesn't always make me want to work with people. I feel like if I'm going to work with somebody, it's because I feel like I actually have something to add to them.
If I have positions going against me, I get right out; if they are going for me, I keep them Risk control is the most important thing in trading. If you have a losing position that is making you uncomfortable, the solution is very simple: Get out, because you can always get back in.
Connection is very important. It's extremely important for me to be connected and sharing with other people, giving them what I feel is important.
Behind the scenes, I'm not a politicker. I have a very hard time telling somebody they're right when I feel they're wrong, and I have a very hard time telling somebody they're good when I feel they're not. That's just me.
They warned me, 'you're going to be doing the screen test with Daniel Radcliffe a week after the audition.' And then in the hair and make up department, he walked up behind and scared me. But you get used to him quickly because he tries to make you feel very welcome and at home.
My dad did teach me a very important lesson about people when he explained to me that everybody around you will have an invisible sign on their head, which says, "Make me feel important."
The red carpet is very important. You have to be very careful to have the right person dressed in right way. For me, it has to be a perfect look.
For me, the political part of being an actor is very tough. To sit somewhere and tell somebody why you should feel this way or that way about my character does not feel like my responsibility. It feels like the responsibility of the writer and the person who created it.
It's always a surprise to me when someone comes up to me and appreciates my work. I have a very limited body of work, so I feel very lucky to have gathered such an audience. I'm very thankful to them. I'm extremely grateful to them for showing such love.
In high school, I tried very hard to make everybody like me, which resulted in me being extremely unhappy and in a lot of pain. Therefore, the lesson I got from that was that I can't make everybody happy.
My father was very political. But he told me, "Be very careful when you get into politics, because there's no black and white. There's an in-between in everything. So look at that side, don't take one point, because then you are negating half of the other people. Try to find the logic on a problem, something that you believe, and take the position that you believe, but be very careful about it." So I was very well trained in that aspect.
I taught everyone a very bad lesson at my publisher because they actually gave me deadlines this time and I'm now meeting them. I used to say, "Here's my book; it's six years late." I'm so much faster now, and work differently. With all the years of writing, I think I still draft as obsessively, but I think back to writing. On your first story, you start at draft one. On your second story, you start at draft ten. On your third story, you start at draft one hundred. If you need a hundred and eight drafts, you may write eight instead of a hundred and eight.
The physical power to get the money does not seem to me a test of the right to tax. Might does not make right even in taxation. To hold that what the use of official authority may get the state may keep, and that if it cannot get hold of a nonresident stockholder it may hold the company as hostage for him, is strange constitutional doctrine to me.
Life is very fleeting. It’s important to be gentle and optimistic. We look behind and think what we’ve done in this life has been good. It was simple; it was modest. Everyone creates their own story and moves on. That’s it. I don’t feel particularly important. What we create is not important. We’re very insignificant.
The whole press thing and who you are in the media, or what you have to project yourself to be, it feels very much like another person. People say to me, "Oh, your life must be changing," and I'm like, "Uh, I guess?" For me, it's such a gradual change, and I don't see it from the outside like everybody else does. It's weird, I see my face on a bus or online or somebody has my picture as their picture on Twitter and it's all a bit weird and I feel very disconnected from it and very much, "I guess that's me." It's very surreal.
The trouble is that right now I want to put as much work into football as I can. It's very important for me to get off to a good start. By the same token, I feel a responsibility to handle the media and those sort of things.
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