A Quote by Dianne Wiest

You are at the mercies of the dailies. With an indie you don't have that. — © Dianne Wiest
You are at the mercies of the dailies. With an indie you don't have that.

Quote Topics

I do miss the idea of the crew getting together to watch dailies after work. I will usually get selected dailies printed on film especially for the early part of a shoot as HD dailies really don't tell me much photographically.
Take notice not only of the mercies of God, but of God in the mercies. Mercies are never so savoury as when they savour a Saviour.
I never watch the dailies. What I usually do is have a look at the rough or final cut, and I just get something from the story. Sometimes I start composing even before the director has shot anything. The dailies don't help me at all.
I don't watch the dailies. You want to just turn in your resignation when you watch the dailies.
When we opened Babbo, we were an indie band. Now we're kinda Apple. We have 19 restaurants and 2,800 employees, we are no longer perceived as the indie band although we think of ourselves as the indie band, and we operate our restaurants as individual indie bands.
We give thanks often with a tearful, doubtful voice, for our spiritual mercies positive, but what an almost infinite field there is for mercies negative! We cannot even imagine all that God has allowed us not to do, not to be.
I have been a man of great sins, but He has been a God of great mercies; and now, through His mercies, I have a conscience as sound and quiet as if I had never sinned.
A disk unbeknownst to the director can go to the producer in another city or in another office and that producer can edit behind the director's back much easier than in the old days. Since these dailies are now put on videotape, more kinds of people have access to dailies.
I testify that the tender mercies of the Lord are real and that they do not occur randomly or merely by coincidence. Often, the Lord's timing of His tender mercies helps us to both discern and acknowledge them.
Tender Mercies is a very low-budget film, but it was a huge budget compared to anything I had done in Australia. My fee for Tender Mercies was something like five times all of my Australian films combined.
I really love doing indie projects, I think the characters that are available in indie games especially, like a lot of the indie games I've done, have been really rich interesting characters for someone of my vocal range.
Brian De Palma was one of the rare directors who wanted us all to go to dailies. It was like a party. After shooting The Boy In The Plastic Bubble, we'd all walk over together, at like 5 or 6 o'clock, to the little theater. And we'd sit down and watch the dailies from like, the day before. And John Travolta, whenever I came onscreen, he was just laughing hysterically. He just thought I was a riot.
It's a long process transitioning from indie to mainstream, and it's not that easy because it's a different environment when you are in the indie industry.
I'd only do a deal with a label if it allowed me to still be indie and have that indie mentality. I have to have creative control.
Actually, the most entitled people I've met are indie rockers and indie actors, because they really believe their press.
I'd actually love to do more comedy, but what I really wanna do is an indie drama - an intense indie road-trip movie.
This site uses cookies to ensure you get the best experience. More info...
Got it!