A Quote by Diego Simeone
My role is to take the player to his limits, to provoke him, to annoy him against me, because in this nervousness is the will to improve.
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I grew up watching LeBron and asking him to follow me back on Twitter, going to his camps. So just to be able to compete against a player like him and be a few shots away from beating him and his team to go to a championship is something I will always remember.
I kissed him, trying to bring him back. I kissed him and let my lips rest against his so that our breath mingled and the tears from my eyes became salt on his skin, and I told myself that, somewhere, tiny particles of him would become tiny particles of me, ingested, swallowed, alive, perpetual. I wanted to press every bit of me against him. I wanted to will something into him. I wanted to give him every bit of life I felt and force him to live.
Knowing his coach likes him is more important to a player than anything else. To me, it was important to be able to chew out a player for screwing up and for him to accept it because he knew I liked him anyway.
Why prove to a man he is wrong? Is that going to make him like you? Why not let him save face? He didn't ask for your opinion. He didn't want it. Why argue with him? You can't win an argument, because if you lose, you lose it; and if you win it, you lose it. Why? You will feel fine. But what about him? You have made him feel inferior, you hurt his pride, insult his intelligence, his judgment, and his self-respect, and he'll resent your triumph. That will make him strike back, but it will never make him want to change his mind. A man convinced against his will is of the same opinion still.
Take a Nicodemus and put a Joseph Smith's spirit in him, and what do you have? Take a Da Vinci or a Michelangelo or a Shakespeare and give him a total knowledge of the plan of salvation of God and personal revelation and cleanse him and take a look at the statues he will carve and the murals he will paint and the masterpieves he will produce. Take a handel with his purposeful effort, his superb talent, his earnest desire to properly depict the story, and give him inward vision of the whole true story and revelation, and what a master you will have!
All night I streched my arms across him, rivers of blood, the dark woods, singing with all my skin and bone ''Please keep him safe. Let him lay his head on my chest and we will be like sailors, swimming in the sound of it, dashed to pieces.'' Makes a cathedral, him pressing against me, his lips at my neck, and yes, I do believe his mouth is heaven, his kisses falling over me like stars.
If you annoy the Hog-nosed Snake enough, he will roll over on his back and play dead. If you turn him right-side up, he will roll over to prove that he is dead... While he is playing dead, you can go straight up to him and step on his head or smash him with a big club.
DEBT, n. An ingenious substitute for the chain and whip of the slave-driver. As, pent in an aquarium, the troutlet Swims round and round his tank to find an outlet, Pressing his nose against the glass that holds him, Nor ever sees the prison that enfolds him; So the poor debtor, seeing naught around him, Yet feels the narrow limits that impound him, Grieves at his debt and studies to evade it, And finds at last he might as well have paid it.
My father was an inspiration to me; I made a few movies with him and I loved working with him. Everything about him - his whole approach to work, as well as his love, enthusiasm and respect for it and other people in the business - was inspiring. I was very lucky to have him as a role model.
The role of the artist, like that of the scholar, consists of seizing current truths often repeated to him, but which will take on new meaning for him and which he will make his own when he has grasped their deepest significance.
Paul Furlong is my vintage Rolls Royce and he cost me nothing. We polish him, look after him, and I have him fine tuned by my mechanics. We take good care of him because we have to drive him every day, not just save him for weddings.
Once I decide to take on a role it's because I find that guy to be really interesting to watch and very compelling to play. And from that point on I can no longer judge him. I can only take on his point of view in order to play him effectively. And his point of view is often not mine.
If by prayer
Incessant I could hope to change the will
Of him who all things can, I would not cease
To weary him with my assiduous cries;
But prayer against his absolute decree
No more avails than breath against the wind
Blown stifling back on him that breathes it forth:
Therefore to his great bidding I submit.
I used to love watching him as a player, so it is a joy to play alongside him. I might take the mickey out of him, but deep down I have so much admiration for him.
Often, though, the passivity of the woman's role weighs on me, suffocates me. Rather than wait for his pleasure, I would like to take it, to run wild. Is it that which pushes me into lesbianism? It terrifies me. Do women act thus? Does June go to Henry when she wants him? Does she mount him? Does she wait for him? He guides my inexperienced hands. It is like a forest fire, to be with him. New places of my body are aroused and burnt. He is incendiary. I leave him in an unquenchable fever.
The mace prodded Will in the back again. That little habit was starting to annoy him and he was tempted to take the weapon from the sergeant major and do a little prodding of his own.
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