A Quote by Dinah Sheridan

But I think you could say my parts in Appointment In London and Gilbert and Sullivan were particularly interesting. — © Dinah Sheridan
But I think you could say my parts in Appointment In London and Gilbert and Sullivan were particularly interesting.
As is gloriously sung in the Gilbert and Sullivan operetta "H.M.S. Pinafore," in the words of W. S. Gilbert: "Things are seldom as they seem, Skim milk masquerades as cream."
My first manager was Gordon Mills, who I'd met right at the beginning. We shared a flat in London and traveled with rock bands doing one-nighters. Later, he became a songwriter and manager whose stable was Tom Jones, Gilbert O'Sullivan, and myself.
Everything that you'd see on The Ed Sullivan Show was at the Tannen's Magic. You'd think that if you could afford a trick like Doc Nixon's Dove Vanish, then you could be on The Ed Sullivan Show as an 8-year-old kid.
It may sound strange to say it of someone so famous, but I think Leonardo DiCaprio is underrated, particularly from an awards perspective. He is a very versatile actor. He started very young, and 'What's Eating Gilbert Grape?' is one of my favourite films.
I'm selfish, I think. I think an artist has to be. I'm not worried about what people think. I play the parts that I find interesting. It'd bother me more to be just pigeonholed into doing what people think is ethical or that's boring to me. I don't pick parts with that in mind, I just find interesting stories. If it's interesting to me, then I do it.
I don't think there are that many parts I could say unequivocally "I would not play that," but there's lots of parts I read and I think, "I don't really want to do that. I don't really think that's how women act."
It wasn't exactly a cattle call. I had an agent, and they were seeing people for the parts, so my agent said, "Here's the script, see if there's anything that speaks to you." And I did, and I called my agent and said, "I think this character Data is kind of interesting," and she said, "Well, okay, I'll get you the appointment with Junie Lowry." I had to read with the casting agent first, 'cause nobody really knew me then. Then after that, I had, I think, six different auditions for the role. And finally it was me [on Star Trek].
I was born with my moustache and, no, I've never been tempted to shave it off. I don't spend a lot of time worrying about my face and, like Gilbert and Sullivan's Katisha, my best feature is my left shoulder-blade.
My mom was sort of involved in amateur dramatics like Gilbert and Sullivan operetta, and played the violin. My dad played banjo and piano and sang as well, so there was all this music in my childhood.
I don't think I want to play title roles. I don't want to be the face on the poster. I don't want that pressure of having the success riding on my shoulders. I just want to play the most interesting parts. I actually think it's incredibly rare to get an interesting female character that is the lead in a film. Usually the character parts are so much more interesting to play.
The fact is popular art dates. It grows quaint. How many people feel strongly about Gilbert and Sullivan today compared to those who felt strongly in 1890?
Take of London fog 30 parts; malaria 10 parts, gas leaks 20 parts, dewdrops gathered in a brickyard at sunrise 25 parts; odor of honeysuckle 15 parts. Mix. The mixture will give you an approximate conception of a Nashville drizzle.
On the principle laid down by Gilbert and Sullivan that when everybody is somebody, nobody is anybody; if everybody is abnormal, we don't need to worry about anybody.
I was studying music in college. I was singing, I was doing operas and Gilbert and Sullivan operettas, and then I was offered a job as the music director of the Bigfork Summer Playhouse, in Bigfork, Montana.
Growing up I was a total movie-holic, but I always wanted to play the role that Clark Gable was playing or Spencer Tracy was playing. I was really never interested in the parts that women were playing. I found the parts that guys were playing were so much more interesting.
Of course there were times, particularly when you travel, when it's very tough to leave the kids, particularly when they were very young. I would try to take them with me when I could just so they could experience and see a little bit of what a work day involved.
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