A Quote by Dizzee Rascal

I grew up on the pirate radio scene which started out as drum 'n' bass music. U.K. garage picked up and got bigger on the back end of that. — © Dizzee Rascal
I grew up on the pirate radio scene which started out as drum 'n' bass music. U.K. garage picked up and got bigger on the back end of that.
I got heavily into the drum-and-bass scene, which is really wicked.
People don't understand what music really is. I've been a musician since I was 6 years old. I got my first piano, was playing recitals at 8, 10 I picked up a guitar, 12 I picked up my first Pearl Master drum set. I was an artist before I was an 'artist.'
Growing up, there was only classical music on BBC Radio. We had to listen to the American Forces Network in Germany, which played pop songs, or the pirate radio boats off the coast.
I was a big Drum and Bass junkie when I grew up.
I was off the scene for a while during the ska period and when I returned and joined the Treasure Isle studio, I came there with a different mood. The musicians picked up on that and we kept on going in that direction. The music became slower, which gave the bass player the time to play more notes. In 1965 I named it rocksteady. The first rocksteady song was 'Girl I've Got A Date'. That one was still a bit up-tempo, leaning towards ska. It turned the tide and made Treasure Isle the number one studio.
That was the big thing when I was growing up, singing on the radio. The extent of my dream was to sing on the radio station in Memphis. Even when I got out of the Air Force in 1954, I came right back to Memphis and started knocking on doors at the radio station.
I picked up reading late because I grew up dyslexic. When I went to college, a friend who was a big reader got me started on a number of writers, including Hemingway.
I was living in different accommodation and it was never in a place where I could set up my drums and play, so my drums would end up back in their cases and then in the garage. In the end I got used to the drums being locked up, I went a good eight years without touching drums.
I decided to do what I do when I was 2 years old. At 2 years old, you know, I heard the sound of a drum playing in the village, and I found my own drum and just picked it up and started playing, the worst song ever written by Wyclef Jean.But it actually started a vibe.
I never picked a bass up before Sabbath started.
I never picked a bass up before Sabbath started
I have four older siblings and one younger, and all three of my brothers are in the music industry. My dad was really involved in music, too, with the disco, and he also started Radio Caroline and was the one who invented pirate radio, if you like, off on a coast in England on a boat.
I started DJing soundclashes. I used to go to Jamaica a lot. I was like a hip-hop sound boy, where I took the dancehall culture and mixed it up with the hip-hop as well. I kept going, going, and I got real hot in the streets of Miami - you know, doing pirate radio - then ended up doing 99 Jamz, the big station out there.
In the late '80s and early '90s, there was a slightly retro drum sound that was popular in hip-hop music called the 808 bass drum sound. It was the bass drum sound on the 808 drum machine, and it's very deep and very resonant, and was used as the backbone as a lot of classic hip-hop tracks.
I demo all of my songs on Garage Band, where I pretty much play everything - not very well, but I manage to hammer out a drum beat and a bass idea.
I've been making Bass Communion music longer than any kind of other music. I don't know if you picked up a copy of a vinyl release I put out a couple of years ago of something called Altamont.
This site uses cookies to ensure you get the best experience. More info...
Got it!