A Quote by DJ Spooky
Whales, for example, also navigate with sound, but they're now beginning to be beached because the ocean is getting too noisy. Weird things like that. I mean this is very real. Like, if you look at the satellites in the sky at night you know it's an eerie sense of we're.
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I don't know - I feel like someone would think of me, or anyone in my family, as unappreciative of a moment, and I've really learned to appreciate a moment. I take things in a lot. I'm kind of weird like that. I like to go outside at night by myself and look at the sky and just appreciate it. I'm not that big of a weirdo, but - occasionally.
You could easily spend several lifetimes trying to master film. It make very good use of all the things that I love. Narrative, image-making, also sound and music. It's so full that I can't really imagine getting tired of it. Or getting to the point like I feel like I know it.
I don't want to sound too mystical or weird but it's important to know what garlic smells like when it's cooking, or what eggs look like when they're cracked out of a shell.
Sound... if you look at bats you know that navigate with sonar, they're like you know they're very precise. They can even see a bat head towards a building and swerve away, but you'll see a bird that doesn't... you know smash right into a glass window. It's very funny.
When I first started out, they were like, 'Is there anybody that you like that you want to work with, and we'll see what we can do?' And I went, 'I like Malay,' who's Frank Ocean's producer, and they were like, 'Not going to happen.' It did seem so, like, high-in-the-sky sort of thing, do you know what I mean? It still does, that it happened.
There's something known as the Uncanny Valley where things look a little too real and you're not quite sure what you're looking at. It becomes weird like it did in 'The Polar Express,' where the eyes seem so realistic, and yet you know it's animated.
Whales in mid-ocean, suspended in the waves of the sea great heaven of whales in the waters, old hierarchies. And enormous mother whales lie dreaming suckling their whale-tender young and dreaming with strange whale eyes wide open in the waters of the beginning and the end.
There is no such things as God's word on earth. Or if there is it is not to be found in books. -Then where is it to be found?- In love. In the laughter of children. In a gift given. In a life saved. In the quiet of morning. In the dead of night. In the sound of the ocean, or the sound of a car. It can be found in anything, anywhere. It is the fabric of our lives, our feelings, the people we live with, things we know to be real.
For me, the biggest thing I've learned is how to be myself and the fact that viewers actually want to feel like they're getting to know you as a person. They value you because you're a reporter and you're bringing them new information, but they also want to feel like they get a sense of your sense of humor and what things you're interested in.
For example, you now look at pictures from 1968, they are hugely misleading in terms of standing in as an absolute image of the time. Because maybe two percent of the people looked the way that we now associate with that time. I was also aware that what I was aiming for is an idealized, utopian version of how people could be together. I found photography to be a very powerful tool because as long as it looks real, it is perceived as real.
I have a lot of my mother in me, but I was just born with the same parts as my father. I don't sound like him. I mean, I can do an impression of him right now, and I do not sound like him. I sound like me. My sense of rhythm I learned from my mother. My melodies, I think sometimes, I get from my mother.
I don't like real places, but I don't like imagined ones either. I feel like I'm looking for some mixture and it's very hard for me to say because I like to use real place names because there's an uncanny feeling to them, but at the same time I don't ever really try to make them plausible. Sometimes I like to use them as a way to hide in plain sight a little bit, because to me a very exotic or imagined setting has a lot of weight and a lot of burden to it, and it doesn't suit me, but a real place seems to have its own weird legacy, so I don't know what the choice is?
I grew up in the South under segregation. So, I know what terrorism feels like - when your father could be taken out in the middle of the night and lynched just because he didn't look like he was in an obeying frame of mind when a white person said something he must do. I mean, that's terrorism, too.
As I've gotten older, I can look at myself more clearly and own the things that I'm good at and work on the things that I'm not. Like, I am not skinny. I know that if I were to lose a little weight I'd literally have more time in the morning because I know clothes would fit better. And now I can look at those things more practically. Instead of being like, "What does that say about me?," now I'm just like, "That would be great to sleep in an extra fifteen minutes because I wasn't trying on everything in my closet."
Steve had a real sixth sense about so many things. He had an odd connection with wildlife. He was extraordinarily intuitive with people. I found it all very - I don't know if 'eerie' is the word, but remarkable, certainly.
Like I said, some people think it’s weird that my best friend is a girl. Sometimes I think it’s weird, too. Mostly people assume that we’re boyfriend and girlfriend, which I guess we could be. But that just seems too teen-movie, if you know what I mean. A boy and girl are best friends, neither of them dates anyone else, and then one night they look at each other and—bang—they realize they’ve been in love with each other the whole time. Everyone’s happy and they go to the big dance together.
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