A Quote by DJ Premier

I know what a Gang Starr album that's done is supposed to sound like. — © DJ Premier
I know what a Gang Starr album that's done is supposed to sound like.
Jazzmatazz' was Guru's thing, but Gang Starr was his baby. I don't care what anybody says. That dude loved Gang Starr.
I listen to my early Gang Starr interviews, I'm like, damn I was really trying to sound like a New Yorker then.
The main thing is we never dissolved our Gang Starr contract. We are still signed to each other. We never disbanded the group. If Guru really wanted to super-dead it he would have said, 'Yo, I want out.' And I still would have tried to convince him to stay. We are still Gang Starr.
Gang Starr was like the blueprint of my career.
I think, when you're a young composer, you're told constantly that what you're supposed to do is figure out what your voice is. "What is your thing supposed to sound like?" You know: "What's the thing you do," that everyone can recognizably tell from a long distance is you and then you're supposed to be in search of that marker and you're supposed to find it and you're supposed to live there for the rest of your life. And it seemed to me, from a young age, that was what I was encouraged to do. You find a sound and that's your sound! That's what you do.
I learned so much from listening to Jay-Z, M.O.P. and Gang Starr.
All of our other albums were consecutive year after year: 'No More Mr. Nice Guy,' 'Step in the Arena,' 'Daily Operation,' 'Hard to Earn.' After 'Hard to Earn,' a four-year gap is a lot of not having Gang Starr music, as far as an album is concerned.
These new bands sound like Gang of Four — if Gang of Four sucked.
Guru always titled the Gang Starr albums. But once it came to 'Hard to Earn,' he wanted me to title it.
With 'Family and Loyalty,' I didn't already have an idea for that video. So I called Fab Five Freddy. I wanted to get a director that I didn't have to explain Gang Starr to and he was with it.
Albums tend to dictate what they need. Every time I have made an album it sort of feels like it is decided for me how that album is going to sound; it is not really a cerebral decision where you sit down and decide that you are going to make an album that sounds like 'this.'
The Re-Up Gang mixtapes are going down in history, man. I still listen to them in my car, and the 'Hell Hath No Fury' album. I tell people all the time that I'll never make another album like that one again. Never!
People criticize you for trying new things. I think, 'I'm new! I'm 22!' I don't know exactly what my sound is or what I want my album to sound like, so I'm not releasing it yet. While I'm experimenting, I'll let you in on the journey, and you can hear it for free.
The one thing I've always done, because I like the sound of my guitar from where I sit - meaning not in front of it - so what I do is, I put microphones around my ears. I have them around my head, too. I don't know if it's a superstitious thing, but it's actually how I recorded my first album.
There's no point that an album should sound like a watered down version of another album.
I think the fact that Gang Starr kept getting more and more successful was the reason we never thought about our age.
This site uses cookies to ensure you get the best experience. More info...
Got it!