A Quote by DJ Premier
Everybody knows with rap artists, if you can't go to the hood, it's almost like you're not authentic, even if you're a dope artist that's respected.
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I had a lot of respect for Prodigy. He brought the hood to the booth. When we were trying to shape this rap thing into something, he was one of the cats I respected for bringing the hood into the booth.
I think the new school is dope. Artists like Kid Cudi, The Cool Kids, Drake and Wale can come out of middle class homes and be on tracks with people like Jay-Z, who's from the hood and the street.
That's what I used to do; I would just go into the studio and just rap. But it's all about coming up with dope concepts and dope hooks.
Everybody knows that the boat is leaking. Everybody knows the captain lied. Everybody got this broken feeling, like their father or their dog just died. Everybody talking to their pockets. Everybody wants a box of chocolates and a long-stem rose. Everybody knows.
It's important for me to be respected and to be thought of as authentic and true to myself. So even if country music won't play my music, I'm not gonna go and record a party song or a truck song just to try to get spins. I have to be authentic to myself.
What's bad for the culture is wack rappers that get held in high regard like they're some great thing because it's the flavor of the month, but everybody knows they can't rap. I don't think it's hard, even for somebody who's not hip-hop, to know that that's not good. When you put them up against somebody that can really rhyme, you go, "Okay, I get it. This is what it should sound like."
I feel like when it comes to rap - like, real rap music - and knowing the pioneers of rap, I feel like there's no competition for me in the NBA. Other guys can rap, but they're not as invested or as deep into actual music as I am and always have been. I think that might be what the difference is. I'm more wanting to be an artist.
One of my homeboys from my neighborhood had actually taught me how to rap. He was the rapper and we would all go over to his house. It would be like 10 or 12 of us in there and he'd write everybody's rap in the house and would give everybody four or eight bars.
I think festivals are way more easygoing than back-to-back tours are. 'Cause for me, when you get to go to a festival, you get to hang out all day, and you're really taken care of, and there's usually a little artist village where all the artists have their own tents, and it's catered, and then you go and play an hour-long set depending on where you are on the lineup. And then you go back and you hang out and you even get to go watch other artists play. So it's really just a fun interactive experience for everybody.
I guess rap has such a bad name, because everybody can do it now, and that's probably why people don't want to be considered as rappers anymore, they're not taken seriously anymore. But yeah, rap is definitely the core of what I want to do. But I'm also an artist so I try to do as many things as I can, but I always keep rap in the equation.
I don't have any sympathy for the subject matter, [but] I have great respect for rap artists. In fact, not for the rap artists, but the people who make the music over which they rap. Rap music - the music itself is incredible - but [the people that make the music] are hardly ever credited.
You have to realize that for some of these people - definitely me when I was growing up - you treat every day like it's your last, because that's the reality of your situation. You never know when someone's going to go, because you're living in a war zone. It's almost like you're in a jungle, and you're just waiting for the predator to catch everybody one by one. So everybody cherishes each other. Instead of calling people the n-word, you're calling people "loved one." There is a level of appreciation for brothers and sisters in the hood.
I was worried that I, the artist Morimura, would have conflicts with the participating artists and develop a strenuous relationship with them. But the actual experience was completely the opposite. The artists accepted my requests rather positively, because it came from a fellow artist. I strongly feel that the fact that my being an artist avoided the usual curator vs artist tension, and led to creating a positive atmosphere as well as developing a solidarity amongst artists and building a community for artists.
Senator Dan Coates, one of the most respected members to have in the Senate, he can't get approved. How do you not approve him? He's been a colleague, highly respected, brilliant guy, great guy, everybody knows it. We're waiting for approval.
Rap isn't poetry, not least because it involves music and often other elements that aren't words. But the way poets in English use things like rhyme and meter, and the ways these conventions both do and don't apply to rap we try to lay out the rules for rap, in order to understand the techniques that artists like Jay-Z and Kanye employ.
I'm not one of those artists who doubts that they made dope-ass records. From the first record to now, each record has gotten better. I started dope, so I've just gotten doper and doper and dopest and super dope.
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