A Quote by Doc Brown
You really come to life on stage but outside - this is a bit of a sad clown cliché - there is that element of loneliness you get from travelling and being on the road. Stand-ups can bring a lot of that to a dramatic role and make it work for them.
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I was never the class clown or anything like that. When I was growing up and doing theatre in Seattle I was always doing very dramatic work. Now I can't get a dramatic role to save my life!
I was never the class clown or anything like that. When I was growing up and doing theatre in Seattle I was always doing very dramatic work... Now I can’t get a dramatic role to save my life!
I don't know, I find that honestly, the stand-up thing in some ways is a little bit of a cliche to carry around, because people don't consider stand-ups really actors.
It's been really stressful being on the road a lot, especially when you're a dad. You miss your son a lot. But you gotta make it work because you get to live a good life. I have to sacrifice.
I think my biggest achievement is still going out on the road and wanting to make music on the road. It doesn't matter to me that I am still travelling around because I just love everything about it, I love the lifestyle, and I love being on stage.
The casting is the most important thing. If you cast a picture really well a lot of things take care of themselves. You get actors that like to give a lot to the role and who appreciate the role on the same level that you do. If you miscast it, you're working an uphill battle a little bit and maybe you can come out okay but you can't always come out great.
I really enjoy 'festival life,' as it were, and I love the reactions when I bring out my guitar on stage. The crowd are always a bit like, 'What the hell is this urban guy doing with a guitar,' and that's what I love - the shock element of it all!
The college students come out and they’re doing something for the first time, so by definition it’s dramatic for the most part, but most people don’t jump out of the airplane or sign up to become a French clown. That’s not the move they’re mostly making. They’re mostly making things a little bit better where they are and so to make things a little better where you are, you really got to get underneath what’s bugging you, what is working for you.
I think I'll be a clown when I get grown,' said Dill. Jem and I stopped in our tracks. Yes sir, a clown,' he said. 'There ain't one thing in this world I can do about folks except laugh, so I'm gonna join the circus and laugh my head off.' You got it backwards, Dill,' said Jem. 'Clowns are sad, it's folks that laugh at them.' Well I'm gonna be a new kind of clown. I'm gonna stand in the middle of the ring and laugh at the folks.
I really love doing nothing. I really love just being at home and taking a couple of days, you know, doing nothing. You know what I mean? Just getting up, being around the house, going outside the back yard, coming back in; I really like to do nothing because I travel a lot. There's a lot of travelling. There's a lot of on the phone all the time. There's a lot of looking at papers and reading things and so you don't want to read magazines and you don't want to do anything; you don't want to read books, you just want to just kind of shut down a little bit.
Happiness takes work. It doesn't always fall off trees or come easily. You really have to be someone that doesn't fall prey to being sad. I don't want sad, I can't be sad, I don't want to be about sad; I avoid sad. It inherently envelops you, so do everything that you can to escape it all the time.
I can remember the time I would get my scripts and spent the entire weekend breaking them down and playing with them, and putting a lot of work into them, trying to bring the character to life, and to make interesting choices. It was one of the things to me that told me that I needed to change things up a little bit, because to me, I felt the passion was lacking from some of my performances.
In college, I learned that my favorite parts were the sad clown parts. Those are the ones I love because you get to do everything. You get to be funny, make them laugh one minute, and make them cry the next minute.
I took a couple of classes in clowning, but that was more like Lucille Ball kind of slapstick, not Ringling Brothers. But we had to do things silently, and the teacher would do this running commentary. 'Does this make Clown sad? Oh, Clown doesn't like that, does Clown?' Always 'Clown.' Never a name.
I'm grateful that I had that uphill battle for 10 years of going onstage and having nobody know who I was, because you have to win them over. I have a lot of friends who were stand-ups, and they just stopped after a while, because they didn't like that battle. And then they would get on a sitcom and get visible and get back into it, because the audience was just way easier on them. That's why they're okay stand-ups, but they're never going to be great, because they don't have that presence. They never built those muscles up.
I love playing a role, anything that's dramatic. I'm enjoying living that kind of life: being someone else, getting to die, being a temptress. I enjoy being someone else on stage.
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