A Quote by Don Coscarelli

I had the good fortune early on to cast some really great people that were not just characters, they had character. — © Don Coscarelli
I had the good fortune early on to cast some really great people that were not just characters, they had character.
Always when I directed the play, I was always trying to cast people not who were necessarily like the characters, but people who I felt had the essential component that the character had, some kind of soul for it.
We had the great good fortune and shortcomings of character that marked every generation that had never seen war.
[Some of the people I'd met] were wonderful people as human beings, and some people were more difficult. I could not see a correlation between their particular genius in playing chess and music and mathematics, etc. ... with human qualities. Some were really good, wonderful people, and some were difficult characters, but there was no clear correlation. But when I met some spiritual masters, [I thought that] there had to be a correlation, and it turned out to be true.
I had never gone to college, I left school at a really early age, and all of a sudden I've got six really great friends hanging out with me every night. And we were a really tight group, and we just had an absolute blast.
I just felt like, you know, I read a lot of scripts out in L.A., out here in the industry and I just felt like this film was just being genuine. I just felt like it had really great characters. And all the three different characters have completely different stories and they're all kind of intertwined together thematically. So I just thought it had great characters, great themes
If you do a black character or a female character or an Asian character, then they aren't just that character. They represent that race or that sex, and they can't be interesting because everything they do has to represent an entire block of people. You know, Superman isn't all white people and neither is Lex Luthor. We knew we had to present a range of characters within each ethnic group, which means that we couldn't do just one book. We had to do a series of books and we had to present a view of the world that's wider than the world we've seen before.
I was once a fortunate man but at some point fortune abandoned me. But true good fortune is what you make for yourself. Good fortune: good character, good intentions, and good actions.
I grew up with great coaching, and it had nothing to do with sports. I had great parents. I really got some great input from there. They were entrepreneurial, middle-class business people.
I can tell you, I grew up with great coaching, and it had nothing to do with sports. I had great parents. I really got some great input from there. They were entrepreneurial, middle-class business people.
There are some great skinny girls, but it's about characters, isn't it? That's what I find attractive. People who've had interesting lives and tell you something that you don't know or are really good fun.
I had my boundaries and restrictions of doing films so I stopped working in the eighties. This was an era when films were more action oriented. Most of the characters cast in the pivotal roles were either daakus or police inspectors. My face suits neither of these characters. I cannot look like a daaku, so acting had taken a back seat.
I was lucky. I had some really good people that were just here there and wherever who would come into my life that I felt would answer questions. I mean, I had some very powerful questions myself for what this earth was all about.
I had good parents. My mother had morals and standards and she brought us up to be good kids - some of the families around were just laws unto themselves, it was really tribal.
I have to say: We were looking at all of Native American actors, who mostly all work under one casting director. And there's so much talent to be cast. There really is. We saw some really good readings. There's more talent to be had there.
When we look to cast somebody who hasn't had any acting experience before, it's really essential we find somebody who at some level can just be themselves and who shares a lot in common with the character.
The puppet characters were combinations of people I had known and to some degree aspects of my own personality. Weird was based on someone I knew in Chicago. Dirty Dragon was based on a good friend I had in Indianapolis.
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