A Quote by Don DeLillo
One truth is the swing of the sentence, the beat and poise, but down deeper it's the integrity of the writer as he matches with the language.
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Every sentence has a truth waiting at the end of it and the writer learns how to know it when he finally gets there. On one level this truth is the swing of the sentence, the beat and poise, but down deeper it's the integrity of the writer as he matches with the language. I've always seen myself in sentences. I begin to recognize myself, word by word, as I work through a sentence. The language of my books has shaped me as a man. There's a moral force in a sentence when it comes out right. It speaks the writer's will to live.
I revise constantly, as I go along and then again after I've finished a first draft. Few of my novels contain a single sentence that closely resembles the sentence I first set down. I just find that I have to keep zapping and zapping the English language until it starts to behave in some way that vaguely matches my intentions.
I'm a language-oriented writer who proceeds sentence by sentence.
Every now and then there might be a beat someone turned down that I have as an unused beat. But everything that predominantly matches the artist in my 30 years of doing this, it was me walking in and sitting there with no drums, no samples, no nothing, and making a beat on the spot.
Swing your swing. Not some idea of a swing. Not a swing you saw on TV. Not that swing you wish you had. No, swing your swing. Capable of greatness. Prized only by you. Perfect in it's imperfection. Swing your swing. I know, I did.
The first sentence of the truth is always the hardest. Each of us had a first sentence, and most of us found the strength to say it out loud to someone who deserved to hear it. What we hoped, and what we found, was that the second sentence of the truth is always easier than the first, and the third sentence is even easier than that. Suddenly you are speaking the truth in paragraphs, in pages. The fear, the nervousness, is still there, but it is joined by a new confidence. All along, you've used the first sentence as a lock. But now you find that it's the key.
I was on my bus, and on my bus I have a yoga swing. Jennifes comes on, and she goes, ' Hi, Woody, I'm J--- is that a sex swing?' Her first sentence to me.
Every sentence has a truth waiting at the end of it and the writer learns how to know it when he finally gets there.
Throughout my career, we beat India in many matches, but for some reason, we never managed to get the better of them in World Cup matches, and it remains a disappointment for me.
I am inviting you to discover that deeper than any pattern, deeper than personality, deeper than success or failure, deeper than worth or worthlessness, there is a radiance that is undeniable, always present - the truth of who you are.
'I am' is reportedly the shortest sentence in the English language. Could it be that 'I do' is the longest sentence?
A dependent clause (a sentence fragment set off by commas, dontcha know) helps you explore your story by moving you deeper into the sentence. It allows you to stop and think harder about what you've already written. Often the story you're looking for is inside the sentence. The dependent clause helps you uncover it.
The bartenders are the regular band of Jack, and the heavenly drummer who looks up to the sky with blue eyes, with a beard, is wailing beer-caps of bottles and jamming on the cash register and everything is going to the beat - It's the beat generation, its béat, it's the beat to keep, it's the beat of the heart, it's being beat and down in the world and like oldtime lowdown.
People use location as a language in films, and Quentin uses action as a language in his films. There's really not a lot of violence. It's more of an emotional beat than it is a physical beat
People use location as a language in films, and Quentin uses action as a language in his films. There's really not a lot of violence. It's more of an emotional beat than it is a physical beat.
And when you love a book, commit one glorious sentence of it-perhaps your favorite sentence-to memory. That way you won't forget the language of the story that moved you to tears.
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